Master’s Degree in Film Scoring and Music for Audiovisual Media
| ECTS | 60 |
|---|---|
| Places available | 15 |
| Calendar | From October 1st to June 1st. The Master's Final Project is recorded at the end of June. Submission and evaluation (not necessarily in person) take place at the end of November. |
| Schedule | Monday to Friday, from 6:00 p.m. to 8:00 p.m. |
| Mode | Attending |
| Teaching language | Spanish and English |
| Fees credit | 111,12 € |
| MASTER’S PRE-ENROLMENT ACADEMIC YEAR 2026–2027 | |||
|---|---|---|---|
| Acceptance of candidates | |||
| 1st round | From February 2 to March 25 | April 15** | |
| 2nd round | From May 4 to May 24 | June 9** | |
| 1st round enrolment: Once the pre-enrolment has been accepted, from April 22 to April 29 | |||
| 2nd round enrolment: Once the pre-enrolment has been accepted, from June 17 to June 25 | |||
| **The Master’s Degree in Lied selects students through auditions held during the first week of June. Results are announced on 15/6. | |||
| Pre-enrolling in the first call gives you more time to complete the different administrative procedures. We recommend not waiting until the last days of each deadline in order to have enough time in case any document is missing. Applications will be answered within a maximum period of ten working days. Once the pre-enrolment has been completed and validated by the corresponding Master’s Management Units, it will be forwarded to the coordination teams and academic directors of each Master’s programme for assessment, selection and, if applicable, authorisation of enrolment. The Master’s Degree in Lied selects its students through a face-to-face audition to be held on: o Friday, June 5, 1st test o Saturday, June 6, 2nd test Results are announced on June 15; the Victoria de los Ángeles scholarships are awarded on June 25; and enrolments take place during the last week of June. |
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| MASTER’S ENROLMENT ACADEMIC YEAR 2026–27 | |||
| 2nd year | From July 20 to July 23 | Online Start: 9:00 a.m. End: 11:59 p.m. Telephone support, working days from 9:00 a.m. to 2:00 p.m. |
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| 1st year | From April 22 to April 29 From June 17 to June 25 |
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Musical composition for pictures is based directly on the stage (opera, musicals, theater, ballet), cinema and television. It fills the world of advertising and, most recently, of videogames, videoclips and the internet. The complexity and depth required to cover this wide variey of elements, musical parameters and sounds to the different image formats requires an exclusive training program with highly specialized studies which are now offered in these studies.
Bachelor in music or equivalent proven experience. The applicant must send us scores and/or recordings of his own music, to be assessed by the direction of the master.
| Subjects | Credits | Semester |
|---|---|---|
| Recording techniques | 3 | 1 |
| Fundamentals of composition | 3 | 1 |
| Analysis of music for audiovisuals | 3 | 1 |
| Fundamentals of instrumentation and orchestration | 3 | 1 |
| Sound design | 3 | 1 |
| History of music for audiovisual media | 3 | 2 |
| Mixing and post-production workshop | 3 | 2 |
| Composition for the image | 6 | 2 |
| Arrangements and orchestration for the image | 6 | 2 |
| MIDI orchestration | 6 | 2 |
| Other audiovisual formats | 6 | 2 |
| Final project | 15 | 2 |
The Masters is intended for graduates in music, composers, musical artists and sound designers with experience in the field of composition or sound audiovisual productions.
Coordinator: Eduard Resina
| Araujo, Óscar |
| Bataller, Arnau |
| Cámara, Sixto |
| Capellas, Xavier |
| Cazeneuve, Xavier |
| Conangla, Ferran |
| Font, Gerard |
| Franza, Nico |
| Guinovart, Albert |
| Ludwin, Norman |
| Peire, Lucas |
| Tapscott, Alfred |
| Trenchs, Joan |
| Vergés, Lluís |
| Valverde, Àngel |
| Vivancos, Bernat |
Classes are scheduled everyday from 18 to 20 h
| 1st quarter (October to December) |
|
|---|---|
| Day | Subject |
| Monday | Recording techniques |
| Tuesday | Fundamentals of composition |
| Wednesday | Analysis of music for audiovisuals |
| Thursday | Fundamentals of orchestration |
| Friday | Sound design |
| 2nd quarter (January to March) | |
| Monday | MIDI orchestration |
| Tuesday | Orchestration for the image |
| Wednesday | History of music for audiovisuals |
| Thursday | MIDI orchestration |
| Friday | Composition for the image |
| 3rd quarter (April and May) | |
| Monday | Post-production workshop |
| Tuesday | Other audiovisual formats |
| Wednesday | Image orchestration |
| Thursday | Other audiovisual formats |
| Friday | Composition for the image |
| sine die | Individual tutorials |
| june | |
| sine die | Individual tutorials |
| end of month | Final project recording with orchestra |