Official Master’s Degree in Performance of Classical and Contemporary Music

Crèdits ECTS60
CalendarFrom October 2026 to May 2027
ScheduleInstrument lessons and ensemble rehearsals:
Monday to Friday.

Group classes for theoretical subjects: Friday and
Saturday.
Teaching languageCatalan, Spanish, English
ModeAttending. It is necessary to attend 80% of classes
in order to be evaluated
Fees credit65,25 €
Specialties- Piano
- Guitar
- Voice
- Orchestra Instruments(flute-piccolo, oboe,
clarinet, bassoon, saxophone, french horn, trumpet,
trombone, tuba/euphonium, violin, viola, cello,
double bass, percussion and harp)
- Organ
- Accordion
MASTER’S PRE-ENROLMENT ACADEMIC YEAR 2026–2027
Acceptance of candidates
1st roundFrom February 2 to March 25April 15
2nd roundFrom May 4 to May 24June 9
1st round enrolment: Once the pre-enrolment has been accepted, from April 22 to April 29
2nd round enrolment: Once the pre-enrolment has been accepted, from June 17 to June 25
Pre-enrolling in the first call gives you more time to complete the different administrative procedures. We recommend not waiting until the last days of each deadline in order to have enough time in case any document is missing.

Applications will be answered within a maximum period of ten working days. Once the pre-enrolment has been completed and validated by the corresponding Master’s Management Units, it will be forwarded to the coordination teams and academic directors of each Master’s programme for assessment, selection and, if applicable, authorisation of enrolment.
MASTER’S ENROLMENT ACADEMIC YEAR 2026–27
2nd yearFrom July 20 to July 23Online

Start: 9:00 a.m.
End: 11:59 p.m.

Telephone support, working days from 9:00 a.m. to 2:00 p.m.
1st yearFrom April 22 to April 29
From June 17 to June 25

The Master’s Degree in Performance of Classical and Contemporary Music Instruments is a professional degree. The objective is to train specialists in musical performance by offering a program of improvement in the instrument while concentrating on the specific repertoire in order to develop independently in a professional environment, either as soloists or as members of musical groups.

Admission process

To apply to any speciality, the following documentation must be submitted:

  • Curriculum vitae

  • Copy of ID card, NIE or passport

  • Copy of the diploma of higher degree or equivalent

  • Copy of academic transcript

  • Motivation letter, specifying in order of preference the teachers with whom you would like to work.

  • A link to Dropbox or Yotube channel, or a DVD of a minimum duration of 30 minutes with 3 fragments of different styles of various works, or sufficiently differentiated parts of a complex work, of the instrumental specialty for which the candidate is applying. The recording, made with a still camera, must include image and sound of the applicant. It is essential that the date of the recording is also included, since the performance must be from the last 6 months.

  • A preliminary project specifying:
    The main lines of interest regarding musical research related to the instrument and ideas about the theme of the final work, if any.
    Proposal of repertoire to work on during the master’s degree.

In case of doubt, or if the teachers consider it necessary, a face-to-face audition may also be requested.

Curriculum

The Master is divided into required and optional areas. Each area includes different subjects, of which some are common and others specific to the specialty.

Check the curricula for the specialy in:

Objectives
  • To provide advanced training and professional specialization in the field of music performance, while promoting critical thinking to enhance self-directed work.

  • To prepare musicians to enter the professional environment at the highest level, with the knowledge, flexibility and imagination necessary for them to develop a professional practice in contemporary artistic life.

  • To encourage students to come together as competent musicians, expanding and integrating their intellectual, emotional and physical resources, as reflected in the practice of musical excellence.

Student profile

This masters is aimed to individuals with a Bachelor Degree in Music (or equivalent) or music professionals in the field of contemporary and classical music, who wish to specialize in music performance at the highest academic level and interpretation.

Professors

Coordination:

Professors:

NameSubject
Faculty of theoretical subjects
Marigó, CarlesAnalysis Applied to Performance (Non-Orchestral)

Torras, MontserratAnalysis Applied to Performance (Non-Orchestral)
Analysis Applied to Performance (Orchestral)

Mora, MireiaPsychophysical Aspects of Performance Practice

Laguna, OscarFoundations of Organ Building: History, Typologies and Instrument Maintenance

Carrasco, ElisendaDidactic Foundations of the Instrument in the Degree Programme

Simarro, MiguelDidactic Foundations of the Instrument in the Degree Programme

Taghikhani, RochsanePhonetics and Diction of Foreign Languages (German)

Barnat, LaïlaPhonetics and Diction of Foreign Languages (French)

Baunard, HervéSpecialized Body Training

Reche, PepeHistory and Evolution of the Symphony Orchestra (18th–20th c.)

Iotti, GuidoHistory and Evolution of the Organ Repertoire

Zenzerovic, MatejaHistory and Evolution of the Accordion Repertoire
Methodologies Applied to Accordion Teaching

Coll, XavierGuitar Technique: History of Methodologies and Application to Modern Performance

Gasull, FeliuGuitar Technique: History of Methodologies and Application to Modern Performance

Mateu, AssumptaPoetics

Sampablo, AlbertoProfessional Development

Minguet, VicentDocumentary Resources for Performance and Research Methodologies

A determinarPiano Typology and Maintenance

Egea, SusanaStage Work for Singers
Instrument teaching faculty
Zenzerovic, MatejaAccordion

Barrera, MagdalenaHarp
Fuster, JosepClarinet
Lluna, Joan EnricClarinet
Castillo, XavierBass Clarinet
Camps, JonathanDouble Bass

Martínez, UxíaDouble Bass

Gàllego, JúliaFlute
Mora, AlbertFlute
Prats, VicensFlute
Rielo, Maria JoséBassoon
Coll, XavierGuitar

Garrobé, AlexandreGuitar
Tentor, ÀlexGuitar

Young, Laura AnneGuitar

Chiralt, DolorsOboe

Martínez, EduardoOboe

Candendo, OscarOrgan


De La Rubia, JuanOrgan

Aixa, MarcPercussion

Bernat, MiquelPercussion
Ferrandiz, LorenzoPercussion
Barbeta, XavierPiano
Bronevetzky, VladislavPiano
Camell, JordiPiano
Dichamp, Jean-FrançoisPiano
Guinovart, AlbertPiano
Lossev, DenisPiano
Masó, JordiPiano
Salinas, RafaelPiano
Garcia, MarianoSaxophone

Garcia, RaulTrombone

Perpiñán, DanielTrombone

Castelló, José VicenteHorn

Casado, Josep AntónTrumpet

Farrés, MireiaTrumpet

Serrano, ÁngelTrumpet
Fernández, Pablo ManuelTuba/Euphonium

Garrigosa, FrancescVoice
Mateu, AssumptaVoice
Mathéu, MartaVoice
Natividade, MargaridaVoice
Pintó, MireiaVoice
Gotlibovich, YuvalViola
Pillai, AshanViola
Puig Torné, AnnaViola
Castro, RaquelViolin
Gleusteen, KaiViolin
Satué, HelenaViolin
Stanculeasa, VladViolin
Volguine, IouriViolin
Martínez, DamiàCello
Pestalozzi, CristoforoCello
Branch, AlanVocal Coaching
De la Rubia, JuanImprovisation (Organ)
Calendar

2026 – 2027

  • October: 2-3, 16-17, 30-31

  • November: 13-14, 27-28

  • December: 11-12

  • January: 8-9, 15-16

  • February: 12-13, 26-27

  • March: 12-13

  • April: 2-3, 16-17, 23-24

  • May: 7-8, 21-22

Scholarships

3 BECAS AIE of €1,670 (each) for students of the ESMUC’s Official Master’s Degree in Performance of Classical and Contemporary Music.

1 scholarship from the Fundació Frederic Mompou (€2,000) for research and performance of the music of this composer.

Master’s degree accredited by the Agency for the Quality of the University System of Catalonia

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