Official Master’s Degree in Performance of Classical and Contemporary Music
| Crèdits ECTS | 60 |
|---|---|
| Calendar | From October 2026 to May 2027 |
| Schedule | Instrument lessons and ensemble rehearsals: Monday to Friday. Group classes for theoretical subjects: Friday and Saturday. |
| Teaching language | Catalan, Spanish, English |
| Mode | Attending. It is necessary to attend 80% of classes in order to be evaluated |
| Fees credit | 65,25 € |
| Specialties | - Piano - Guitar - Voice - Orchestra Instruments(flute-piccolo, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba/euphonium, violin, viola, cello, double bass, percussion and harp) - Organ - Accordion |
| MASTER’S PRE-ENROLMENT ACADEMIC YEAR 2026–2027 | |||
|---|---|---|---|
| Acceptance of candidates | |||
| 1st round | From February 2 to March 25 | April 15 | |
| 2nd round | From May 4 to May 24 | June 9 | |
| 1st round enrolment: Once the pre-enrolment has been accepted, from April 22 to April 29 | |||
| 2nd round enrolment: Once the pre-enrolment has been accepted, from June 17 to June 25 | |||
| Pre-enrolling in the first call gives you more time to complete the different administrative procedures. We recommend not waiting until the last days of each deadline in order to have enough time in case any document is missing. Applications will be answered within a maximum period of ten working days. Once the pre-enrolment has been completed and validated by the corresponding Master’s Management Units, it will be forwarded to the coordination teams and academic directors of each Master’s programme for assessment, selection and, if applicable, authorisation of enrolment. |
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| MASTER’S ENROLMENT ACADEMIC YEAR 2026–27 | |||
| 2nd year | From July 20 to July 23 | Online Start: 9:00 a.m. End: 11:59 p.m. Telephone support, working days from 9:00 a.m. to 2:00 p.m. |
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| 1st year | From April 22 to April 29 From June 17 to June 25 |
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The Master’s Degree in Performance of Classical and Contemporary Music Instruments is a professional degree. The objective is to train specialists in musical performance by offering a program of improvement in the instrument while concentrating on the specific repertoire in order to develop independently in a professional environment, either as soloists or as members of musical groups.
To apply to any speciality, the following documentation must be submitted:
In case of doubt, or if the teachers consider it necessary, a face-to-face audition may also be requested.
The Master is divided into required and optional areas. Each area includes different subjects, of which some are common and others specific to the specialty.
Check the curricula for the specialy in:
This masters is aimed to individuals with a Bachelor Degree in Music (or equivalent) or music professionals in the field of contemporary and classical music, who wish to specialize in music performance at the highest academic level and interpretation.
Coordination:
Professors:
| Name | Subject |
|---|---|
| Faculty of theoretical subjects | |
| Marigó, Carles | Analysis Applied to Performance (Non-Orchestral) |
| Torras, Montserrat | Analysis Applied to Performance (Non-Orchestral) Analysis Applied to Performance (Orchestral) |
| Mora, Mireia | Psychophysical Aspects of Performance Practice |
| Laguna, Oscar | Foundations of Organ Building: History, Typologies and Instrument Maintenance |
| Carrasco, Elisenda | Didactic Foundations of the Instrument in the Degree Programme |
| Simarro, Miguel | Didactic Foundations of the Instrument in the Degree Programme |
| Taghikhani, Rochsane | Phonetics and Diction of Foreign Languages (German) |
| Barnat, Laïla | Phonetics and Diction of Foreign Languages (French) |
| Baunard, Hervé | Specialized Body Training |
| Reche, Pepe | History and Evolution of the Symphony Orchestra (18th–20th c.) |
| Iotti, Guido | History and Evolution of the Organ Repertoire |
| Zenzerovic, Mateja | History and Evolution of the Accordion Repertoire Methodologies Applied to Accordion Teaching |
| Coll, Xavier | Guitar Technique: History of Methodologies and Application to Modern Performance |
| Gasull, Feliu | Guitar Technique: History of Methodologies and Application to Modern Performance |
| Mateu, Assumpta | Poetics |
| Sampablo, Alberto | Professional Development |
| Minguet, Vicent | Documentary Resources for Performance and Research Methodologies |
| A determinar | Piano Typology and Maintenance |
| Egea, Susana | Stage Work for Singers |
| Instrument teaching faculty | |
| Zenzerovic, Mateja | Accordion |
| Barrera, Magdalena | Harp |
| Fuster, Josep | Clarinet |
| Lluna, Joan Enric | Clarinet |
| Castillo, Xavier | Bass Clarinet |
| Camps, Jonathan | Double Bass |
| Martínez, Uxía | Double Bass |
| Gàllego, Júlia | Flute |
| Mora, Albert | Flute |
| Prats, Vicens | Flute |
| Rielo, Maria José | Bassoon |
| Coll, Xavier | Guitar |
| Garrobé, Alexandre | Guitar |
| Tentor, Àlex | Guitar |
| Young, Laura Anne | Guitar |
| Chiralt, Dolors | Oboe |
| Martínez, Eduardo | Oboe |
| Candendo, Oscar | Organ |
| De La Rubia, Juan | Organ |
| Aixa, Marc | Percussion |
| Bernat, Miquel | Percussion |
| Ferrandiz, Lorenzo | Percussion |
| Barbeta, Xavier | Piano |
| Bronevetzky, Vladislav | Piano |
| Camell, Jordi | Piano |
| Dichamp, Jean-François | Piano |
| Guinovart, Albert | Piano |
| Lossev, Denis | Piano |
| Masó, Jordi | Piano |
| Salinas, Rafael | Piano |
| Garcia, Mariano | Saxophone |
| Garcia, Raul | Trombone |
| Perpiñán, Daniel | Trombone |
| Castelló, José Vicente | Horn |
| Casado, Josep Antón | Trumpet |
| Farrés, Mireia | Trumpet |
| Serrano, Ángel | Trumpet |
| Fernández, Pablo Manuel | Tuba/Euphonium |
| Garrigosa, Francesc | Voice |
| Mateu, Assumpta | Voice |
| Mathéu, Marta | Voice |
| Natividade, Margarida | Voice |
| Pintó, Mireia | Voice |
| Gotlibovich, Yuval | Viola |
| Pillai, Ashan | Viola |
| Puig Torné, Anna | Viola |
| Castro, Raquel | Violin |
| Gleusteen, Kai | Violin |
| Satué, Helena | Violin |
| Stanculeasa, Vlad | Violin |
| Volguine, Iouri | Violin |
| Martínez, Damià | Cello |
| Pestalozzi, Cristoforo | Cello |
| Branch, Alan | Vocal Coaching |
| De la Rubia, Juan | Improvisation (Organ) |
2026 – 2027
3 BECAS AIE of €1,670 (each) for students of the ESMUC’s Official Master’s Degree in Performance of Classical and Contemporary Music.
1 scholarship from the Fundació Frederic Mompou (€2,000) for research and performance of the music of this composer.
Master’s degree accredited by the Agency for the Quality of the University System of Catalonia
