Publicat el 4 de August de 2026

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Jornades ab Sentits IX: Hermeneutics, Pedagogy and Interpretation

Jornades AB SENTITS

Jornades ab Sentits IX edition: Hermeneutics, Pedagogy and Interpretation.

On 28, 29 and 30 January 2027, ESMUC will host the ninth edition of the Jornades ab Sentits, dedicated to reflecting on the relationships between the understanding and interpretation of music (hermeneutics), its teaching and learning processes (pedagogy), and its sonic realization (performance). Proposals are invited that explore, from any musical discipline or practice, how these three areas intersect, interact and enrich one another: from historically informed performance to instrumental pedagogy, and from musicological analysis to stage experience.

A gathering with a history

This year the Jornades ab sentits reach their ninth edition, firmly established as a meeting point — both internal and external, national and international — for thinking about and sharing the experience of music from diverse perspectives. Over its eight previous editions, the conference has steadily become a point of reference for performers, educators and scholars wishing to discuss music beyond the usual boundaries between disciplines and institutions.

The involvement of the Museu de la Música de Barcelona as a co-organising institution has, in recent editions, been one of the project’s great successes: the Keyboard Hall, with its splendid acoustics, has proved to be a uniquely inspiring space for the sessions. This journey has brought remarkable qualitative success — not least in the open, rigorous tone of the discussions it fosters — which we now wish to consolidate and grow further in scope and participation.

In this ninth edition, the conference welcomes a new institutional partner, the Department of Pedagogy, whose involvement naturally broadens the scope of discussion to pedagogical questions that were, in fact, already present. This expansion strengthens the Jornades both institutionally and thematically, and is reflected this year in the conference theme.

The meeting will be recorded and uploaded to the ESMUC’s website.

We invite you to send us your proposals and to share this call with anyone interested in the dialogue between hermeneutics, pedagogy and musical interpretation.

Theme: Hermeneutics, Pedagogy and Interpretation

The ninth edition of the Jornades ab sentits invites reflection on the relationship between the understanding and interpretation of music (hermeneutics), its transmission (pedagogy), and its sounding realisation (performance). Proposals are welcome from any discipline or musical practice exploring how these three domains intersect, challenge and enrich one another — from historically informed performance to instrumental pedagogy, from musicological analysis to the experience of performing on stage.

Keynote speakers

This year the conference welcomes back international guests, with three confirmed keynote speakers who each embody one of the three strands of this year’s theme:

Joan Francesc Vidal Arasa
Pedagogue, professor at the Conservatori de Tortosa and at the Universitat Rovira i Virgili (URV). His teaching career brings to the conference a perspective grounded in applied music pedagogy, in keeping with the Department of Pedagogy’s new role as a partner institution this year. His commitment to applying a comprehensive musical analysis (or “with senses”) to conservatory studies has often led him to present his research at previous editions of the Jornades.

Maria Gabryś
Polish pianist and pedagogue, an expert on Chopin and historical pianos. Head of Department of Historical Keyboard Instruments at the Fyderyk Chopin University, Warsaw. Her dual role as performer and scholar of period instruments makes her a leading voice on historically informed performance and its relationship to piano pedagogy.

Kostas Chardas
Greek musicologist and pianist, specialising in the work of Mikis Theodorakis. Aristotle University, Thessaloniki. His musicological research offers a hermeneutic perspective on the analysis and interpretation of the twentieth-century repertoire, in direct dialogue with the theme of our conference. An active concert pianist, his most recent book is devoted to the contemporary music of his native country.

Submission Formats and Submission Form

Submissions are invited for papers, round tables, and lecture-recitals addressing the conference theme from the perspectives of research, teaching, or performance practice. The usual formats are 20-minute presentations followed by 10 minutes for questions and discussion, or 30-minute lecture-recitals followed by 10 minutes for questions and discussion.

Please complete the online form by 7 December 2026, providing the title, an abstract (maximum 300 words), the session format, and a brief biographical note about the author(s).

Organising Committee

Rolf Bäcker, Ruben Bes, Joan Grimalt, and Marc Heilbron.

Key Dates
September 2026Call for Papers published
7 December 2026Deadline for submissions
11 January 2027Full programme published
28–30 January 2027Jornades ab sentits take place