Modern Music Analysis II
Type: Compulsory (OB)
Area: Theory and history
ECTS: 3
Classroom hours: 45
Other contact hours: 5
Time for directed work (non face-to-face): 20
Hours for self-study and independent learning: 20
Department: Jazz, Flamenco, Popular and Traditional Catalan Music
Competences developed in the course
Transversal Competencies
CT7: Use effective communication skills and constructive criticism in teamwork.
CT8: Develop ideas and arguments through reasoned and critical thinking.
CT12: Adapt, in a competitive environment, to cultural, social, and artistic changes, as well as to developments within the professional field, selecting appropriate pathways for continuing professional development.
CT17: Contribute, through professional activity, to raising social awareness of the importance of cultural heritage, its impact across different fields, and its capacity to generate meaningful values.
General Competencies
CG1: Demonstrate knowledge of the theoretical principles of music and develop the skills required to recognize, understand, and memorize musical material.
CG2: Demonstrate appropriate abilities in sight-reading, improvisation, musical creation, and creative reinterpretation.
CG3: Produce and interpret the written notation of musical texts accurately.
CG4: Recognize musical materials through the development of aural skills and apply these skills in professional practice.
CG5: Understand the technological resources relevant to the field of activity and their applications in music, while remaining prepared to incorporate future technological developments.
CG10: Present and justify informed opinions on a range of musical concepts.
CG11: Be familiar with a broad and up-to-date repertoire focused on the student’s specialization while remaining open to other musical traditions. Recognize and clearly describe the stylistic features that characterize this repertoire.
CG12: Demonstrate sufficient knowledge of music as a cultural phenomenon and its relationship to the evolution of aesthetic, artistic, and cultural values.
CG13: Understand the foundations and structure of musical language and apply them in performance, creative work, research, or teaching.
CG14: Understand the historical development of music across its various traditions from a critical perspective that places musical art within its social and cultural context.
CG15: Possess broad knowledge of the most representative works in the historical and analytical literature of music.
CG17: Be familiar with different musical styles and practices, enabling an understanding of one’s own field of activity within a broader cultural context.
CG18: Communicate the content and objectives of professional activity effectively, both orally and in writing, to specialist audiences using appropriate technical and general terminology.
CG20: Understand the classification and the acoustic, historical, and anthropological characteristics of musical instruments.
CG21: Develop original artistic concepts and the ability to express them through acquired techniques and artistic resources.
CG22: Possess a broad range of musical resources to create or adapt musical works and to improvise in diverse contexts based on knowledge of styles, formats, techniques, trends, and musical languages.
CG23: Value musical creation as the process of giving sound form to rich and complex structural thought.
Specific Competencies
IN1: Perform the significant repertoire of the student’s specialization while addressing appropriately the stylistic features that define it.
IN2: Develop a coherent and personal artistic interpretation.
IN6: Present and articulate informed views on musical performance while addressing the challenge of enhancing listeners’ understanding of musical works.
IN7: Develop skills in sight-reading and improvisation based on musical material.
Learning outcomes (general objectives)
- Describe the different ways in which musical materials have been organized across the various styles and periods of modern music.
- Apply the most appropriate analytical methodologies critically and flexibly according to both the musical work under study and the objectives of the analysis.
- Demonstrate a thorough understanding of the vertical and harmonic organization characteristic of modern music.
- Harmonize and reharmonize original or existing compositions with stylistic consistency.
- Create original melodic, harmonic, and rhythmic material based on formal structures characteristic of modern music.
- Analyse musical forms, harmonic progressions, and melodies by major composers from different periods of modern music.
Contents
Parameters and elements that structure musical discourse. Hierarchical relationships among these parameters. The relationship between musical parameters and stylistic characteristics. Musical form as it relates to both composition and improvisation. Analytical methodologies for the study of music. Identification of the elements that shape musical works. Stylistic determinants in modern music. Development of autonomy in the application of analytical methodologies. Analytical techniques adapted to the specific musical parameters under study. Application of analytical techniques to selected short musical excerpts. Evaluation of both common and less conventional harmonic progressions.
Teaching methodology
The teaching and learning methodology combines lectures (presentation of course content), seminar discussions, group work, and student presentations.
Independent study includes the composition of original works, the study of musical repertoire, and the completion of written assignments, both individually and collaboratively.
Assessment systems
The assessment system is based on continuous assessment, founded on an initial diagnostic assessment and culminating in a summative assessment that determines the final grade.
Continuous assessment is carried out through a range of assessment methods derived from specific learning activities, including class participation and engagement, in-class presentations, the completion of compositions, analyses and reading assignments outside class, the submission of written work, and written, oral, and aural examinations.