{"id":37813,"date":"2022-02-11T10:23:49","date_gmt":"2022-02-11T09:23:49","guid":{"rendered":"https:\/\/www.esmuc.cat\/recerca-artistica\/"},"modified":"2026-03-23T13:54:48","modified_gmt":"2026-03-23T12:54:48","slug":"investigacion","status":"publish","type":"page","link":"https:\/\/www.esmuc.cat\/es\/investigacion\/","title":{"rendered":"Investigaci\u00f3n"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column esmuc__Menu_Masters is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h1 class=\"wp-block-heading\" id=\"recerca-artistica\">Investigar en la ESMUC<\/h1>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<figure class=\"wp-block-post-featured-image\"><img decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2021\/09\/Partitures-anotades.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Partitures anotades\" style=\"object-fit:cover;\" title=\"Partitures anotades\" \/><\/figure>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Presentaci\u00f3n<\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div id=\"section-g3824de\" class=\"wp-block-gutentor-e0 section-g3824de gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">La Escola Superior de M\u00fasica de Catalunya promueve planes de investigaci\u00f3n y participa en proyectos de investigaci\u00f3n vinculados a las \u00e1reas de conocimiento y especializaci\u00f3n musicales que le son propias: la interpretaci\u00f3n, la creaci\u00f3n, la teor\u00eda, la historia, la educaci\u00f3n, la cultura, la tecnolog\u00eda y la gesti\u00f3n musical.<br><br>Desde su fundaci\u00f3n, ESMUC ha incorporado de manera progresiva la investigaci\u00f3n dentro de sus actividades formativas y art\u00edsticas. Con los a\u00f1os, el profesorado ha participado en varios grupos y proyectos de investigaci\u00f3n, en colaboraci\u00f3n con universidades y otros centros de investigaci\u00f3n. El 2 de marzo de 2021, el Patronat de la Fundaci\u00f3 per a l\u2019Escola Superior de M\u00fasica de Catalunya ha aprobado una modificaci\u00f3n de los estatutos con la que la investigaci\u00f3n se incluye en las finalidades del centro, integrada definitivamente en las ense\u00f1anzas musicales superiores, tanto de grado como de posgrado.<\/p><\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<section id=\"g-ic7j2xi\" class=\"wp-block-gutentor-m3 section-g-ic7j2xi gutentor-module gutentor-container-cover d-none\"><div class=\"grid-container\">\n<h3 class=\"wp-block-heading\">La investigaci\u00f3n art\u00edstica en la ESMUC<\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>La ESMUC posee un elevado n\u00famero de profesorado doctor o en v\u00edas de obtener el t\u00edtulo, por eso genera producci\u00f3n de investigaci\u00f3n de tipo acad\u00e9mico universitario. Desde hace algunos a\u00f1os se est\u00e1n implementando estrategias para promover la investigaci\u00f3n art\u00edstica: modelos de investigaci\u00f3n que tienen por objeto principal plantear y responder a preguntas sobre problemas espec\u00edficamente art\u00edsticos&#8230;<\/p>\n\n\n\n<div id=\"section-g22f433\" class=\"wp-block-gutentor-e7 section-g22f433 gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">que s\u00f3lo se pueden formular y atender en un centro de ense\u00f1anzas art\u00edsticas superiores como la ESMUC<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">que s\u00f3lo m\u00fasicos pr\u00e1cticos pueden abordar, <\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-2\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">y donde la pr\u00e1ctica instrumental y compositiva juega un papel fundamental tanto en la formulaci\u00f3n de preguntas, como en su desarrollo, reflexi\u00f3n, experimentaci\u00f3n, obtenci\u00f3n de respuestas y expresi\u00f3n de los resultados.<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n\n\n\n<p>La ESMUC ha tenido un papel relevante en la promoci\u00f3n europea de la investigaci\u00f3n art\u00edstica en m\u00fasica, participando activamente en el grupo de trabajo&nbsp;<em>Artistic Research in Higher Music Education<\/em>&nbsp;de la xarxa Polifonia (<em>Erasmus Network for Music 2004-2014<\/em>) de la Association Europ\u00e9enne des Conservatoires, Acad\u00e9mies de Musique et Musikhochschulen (AEC). Tambi\u00e9n imparte seminarios, conferencias y ha publicado libros y art\u00edculos sobre este tema. Asimismo, promueve la investigaci\u00f3n art\u00edstica en los trabajos de fin de grado y m\u00e1ster de sus estudiantes y profesorado. Ha coeditado un libro monogr\u00e1fico sobre el tema:<\/p>\n\n\n\n<div id=\"section-g2dc878\" class=\"wp-block-gutentor-e7 section-g2dc878 gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez Cano, R. y San Crist\u00f3bal, U. (2014).\u00a0<a href=\"http:\/\/invartistic.blogspot.com.es\/\" target=\"_blank\" rel=\"noreferrer noopener\">Investigaci\u00f3n art\u00edstica en m\u00fasica: problemas, experiencias y propuestas<\/a>. Libro descargable.<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n\n\n\n<p>Tambi\u00e9n tiene un centro de informaci\u00f3n sobre esta tem\u00e1tica que se puede consultar en libre acceso:<\/p>\n\n\n\n<section id=\"789ad4\" class=\"section-789ad4 gutentor-module gutentor-module-accordion\"><div class=\"grid-container\">\n<div id=\"2c2b64\" class=\"wp-block-gutentor-m6-item section-2c2b64 gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-789ad4\"><div class=\"gm-ah-789ad4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">Textos y materiales institucionales<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-789ad4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-789ad4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-789ad4 gutentor-module-accordion-body\">\n<div id=\"section-g44d56c\" class=\"wp-block-gutentor-e0 section-g44d56c gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g08bf3e\" class=\"wp-block-gutentor-e7 section-g08bf3e gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">ArtesnetEurope. 2010.\u00a0<em><a href=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Peer-power.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Peer Power! The Future of Higher Arts Education in Europe<\/a><\/em>. Amsterdam: ELIA.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Joint Quality Initiative. 2004. \u00ab<em><a href=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Shared-%E2%80%98Dublin-descriptors-for-Short-Cycle.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Shared &#8220;Dublin&#8221; descriptors for Short Cycle<\/a><\/em>\u00bb.\u00a0<em>First Cycle, Second Cycle and Third Cycle Awards www. jointquality. org<\/em>.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-2\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Polifonia Research Working Group. 2010.\u00a0<em><a href=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Researching-conservatories.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Researching Conservatoires<\/a>. Enquiry, Innovation and the Development of Artistic Practice in Higher Music Education (Polifonia Research Working Group)<\/em>. Utrecht: AEC Publications.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-3\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Polifonia Research Working Group. 2014.\u00a0<a href=\"https:\/\/aec-music.eu\/publication\/perspectives-on-2nd-cycle-programmes-in-higher-music-education\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Perspectives on 2nd Cycle Programmes in Higher Music Education. Combining a Research Orientation with Professional<\/em>\u00a0<em>Relevance<\/em><\/a>. La Haya: AEC Publications.\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-4\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Polifonia Third Cycle Working Group. 2007.\u00a0<em><a href=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Guide-to-third-cycle-studies-in-Higher-music-education.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Guide to third cycle studies in Higher music education<\/a>.\u00a0AEC Publications.<\/em>\u00a0Utrecht: AEC.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-5\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Wilson, Mick, y Schelte van Ruiten, eds. 2013.\u00a0<em><a href=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/SHARE.-Handbook-for-Artistic-Research-Education.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">SHARE. Handbook for Artistic Research Education<\/a><\/em>. Amsterdam, Dublin, Gottenburg: SHARE Network.\u00a0<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div id=\"cfc891\" class=\"wp-block-gutentor-m6-item section-cfc891 gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-789ad4\"><div class=\"gm-ah-789ad4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">Libros<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-789ad4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-789ad4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-789ad4 gutentor-module-accordion-body\">\n<div id=\"section-ga8bcb6\" class=\"wp-block-gutentor-e0 section-ga8bcb6 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g6c76c5\" class=\"wp-block-gutentor-e7 section-g6c76c5 gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Asprilla, Ligia Ivette. 2013.\u00a0<em>El proyecto de creaci\u00f3n-investigaci\u00f3n. La investigaci\u00f3n desde las artes<\/em>. Santiago de Cali: Instituci\u00f3n Universitaria del Valle del Cauca.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Ballesteros, Melissa, y Elsa Mar\u00eda Beltr\u00e1n. 2018.\u00a0<em>\u00bfInvestigar creando?: una gu\u00eda para la investigaci\u00f3n-creaci\u00f3n en la academia<\/em>. Bogot\u00e1: Universidad del Bosque.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-2\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Borgdorff, Henk. 2009.\u00a0<em><a href=\"https:\/\/www.ahk.nl\/fileadmin\/download\/ahk\/Lectoraten\/Borgdorff_publicaties\/artistic-research-within-the-fields-of-science.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Artistic Research within the Fields of Science<\/a><\/em>. Bergen: Kunsth\u00f8gskolen y Bergen.\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-3\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Borgdorff, Henk. 2012.\u00a0<em><a href=\"http:\/\/www.amazon.com\/The-Conflict-Faculties-Perspectives-University\/dp\/9087281676\/ref=sr_1_2?ie=UTF8&amp;qid=1405681687&amp;sr=8-2&amp;keywords=Borgdorff%2C+Henk\" target=\"_blank\" rel=\"noreferrer noopener\">The Conflict of the Faculties<\/a>.<\/em>\u00a0Leiden:\u00a0Leiden University Press.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-4\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Burke, Robert, y Andrys Onsman, eds. 2017.\u00a0<a href=\"https:\/\/www.amazon.com\/Perspectives-Artistic-Research-Music-Robert\/dp\/1498544819\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Perspectives on Artistic Research in Music<\/em><\/a>. Lanham: Lexington.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-5\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Butt, Daniel. 2017.\u00a0<em><a href=\"http:\/\/www.artisticresearchbook.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">Artistic Research in the Future Academy<\/a><\/em>. Bristol: Intellect.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-6\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Campos, R\u00e9my y Poidevin Aur\u00e9lien. 2019.\u00a0<em>Evaluating Artistic Research<\/em>. Par\u00eds: L&#8217;oeil d&#8217;or.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-7\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Coessens, Kathleen, Darla Crispin, y Anne Douglas. 2009.\u00a0<em><a href=\"http:\/\/www.amazon.com\/The-Artistic-Turn-Manifesto-Research\/dp\/9490389005\/ref=sr_1_1?ie=UTF8&amp;qid=1405681576&amp;sr=8-1&amp;keywords=The+Artistic+Turn%3A+A+Manifesto\" target=\"_blank\" rel=\"noreferrer noopener\">The Artistic Turn<\/a>: A Manifesto<\/em>. Ghent, Belgium; Leuven, Belgium: Orpheus Instituut\u202f; Distributed by Leuven University Press.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-8\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Coessens, Kathleen. 2017.\u00a0<a href=\"https:\/\/orpheusinstituut.be\/en\/publications\/experimental-encounters-in-music-and-beyond\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Experimental Encounters in Music and Beyond<\/em><\/a>. Leuven University Press.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-9\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Crispin, Darla, y Bob Gilmore, eds. 2014<a href=\"http:\/\/www.amazon.com\/Artistic-Experimentation-Music-Anthology-Institute\/dp\/9462700133\" target=\"_blank\" rel=\"noreferrer noopener\">.\u00a0<em>Artistic Experimentation in Music: An Anthology<\/em><\/a>. Leuven: Leuven University Press.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-10\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Do\u011fantan, Mine. 2015.\u00a0<em><a href=\"https:\/\/www.routledge.com\/Artistic-Practice-as-Research-in-Music-Theory-Criticism-Practice\/Dogantan-Dack\/p\/book\/9781138284548\" target=\"_blank\" rel=\"noreferrer noopener\">Artistic Practice as Research in Music: Theory, Criticism, Practice<\/a><\/em>. Londres: Alshgate.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-11\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">De Assis, Paulo. 2015.\u00a0<a href=\"https:\/\/orpheusinstituut.be\/en\/publications\/experimental-affinities-in-music\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Experimental Affinities in Music<\/em><\/a>. Leuven University Press.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-12\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">De Assis, Paulo, ed. 2018.\u00a0<em><a href=\"https:\/\/orpheusinstituut.be\/en\/publications\/virtual-works-actual-things\" target=\"_blank\" rel=\"noreferrer noopener\">Virtual Works\u2013Actual Things: Essays in Music Ontology<\/a><\/em>. Leuven: Leuven University Press, Leuven.\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-13\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">De Assis, Paulo. 2018.\u00a0<em><a href=\"https:\/\/orpheusinstituut.be\/en\/publications\/logic-of-experimentation\" target=\"_blank\" rel=\"noreferrer noopener\">Logic of Experimentation: Reshaping Music Performance in and Through Artistic Research: Rethinking Music Performance through Artistic Research<\/a><\/em>. Leuven: Leuven University Press.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-14\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">De Assis, Paulo, y Paolo Giudic. 2017.\u00a0<a href=\"https:\/\/orpheusinstituut.be\/en\/publications\/the-dark-precursor\" target=\"_blank\" rel=\"noreferrer noopener\"><em>The Dark Precursor: Deleuze and Artistic Research<\/em><\/a>. Leuven University Press.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-15\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">D\u2019Errico, Lucia. 2018.\u00a0<em><a href=\"https:\/\/orpheusinstituut.be\/en\/publications\/powers-of-divergence\" target=\"_blank\" rel=\"noreferrer noopener\">Powers of Divergence: An Experimental Approach to Music Performance<\/a><\/em>. Leuven: Leuven University Press.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-16\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Harrison, Scott D. 2014.\u00a0<em><a href=\"http:\/\/www.amazon.com\/Research-Education-Performance-Pedagogy-Landscapes\/dp\/9400774346\/ref\" target=\"_blank\" rel=\"noreferrer noopener\">Research and Research Education in Music Performance and Pedagogy<\/a><\/em>. Dordrecht: Springer.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-17\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Impett, Jonathan. 2017.\u00a0<a href=\"https:\/\/orpheusinstituut.be\/en\/publications\/artistic-research-in-music-discipline-and-resistance\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute<\/em>.<\/a>\u00a0Leuven University Press.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-18\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n, y \u00darsula San Crist\u00f3bal. 2014.\u00a0<em><a href=\"http:\/\/rlopezcano.blogspot.com.es\/2014\/04\/investigacion-artistica-en-musica.html\" target=\"_blank\" rel=\"noreferrer noopener\">Investigaci\u00f3n art\u00edstica en m\u00fasica<\/a>: problemas, m\u00e9todos, paradigmas, experiencias y modelos<\/em>. Barcelona: Fonca-Esmuc.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-19\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><em><a href=\"https:\/\/www.mineducacion.gov.co\/1759\/w3-article-338203.html?_noredirect=1\" target=\"_blank\" rel=\"noreferrer noopener\">Memorias del evento Valoraci\u00f3n de los procesos de creaci\u00f3n art\u00edstica y cultural en el marco de la acreditaci\u00f3n de programas bogot\u00e1<\/a>.\u00a0<\/em>26 y 27 de junio de 2013 CNA. Colombia.Una aproximaci\u00f3n al estado del arte en Colombia y otros pa\u00edses sobre la discusi\u00f3n investigaci\u00f3n-creaci\u00f3n en artes avances y propuestas.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-20\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Michelkevicius, Vytautas. 2018.\u00a0<em>Mapping Artistic Research. Towards Diagrammatic Knowing.<\/em>\u00a0Vilnius: Vilnius Academy of Arts Press.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-21\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Moreno, M<sup>a<\/sup>\u00a0Isabel, y M<sup>a<\/sup>\u00a0Paz L\u00f3pez-Pel\u00e1ez. 2016.\u00a0<em>Reflexiones sobre investigaci\u00f3n art\u00edstica e investigaci\u00f3n educativa basada en las artes<\/em>. Madrid: S\u00edntesis.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-22\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Muntan\u00e9, Mari Carmen G\u00f3mez, Fernando Hern\u00e1ndez Hern\u00e1ndez, y H\u00e9ctor Julio P\u00e9rez L\u00f3pez. 2006.\u00a0<em><a href=\"https:\/\/sede.educacion.gob.es\/publiventa\/detalle.action?cod=12147\" target=\"_blank\" rel=\"noreferrer noopener\">Bases para un debate sobre investigaci\u00f3n art\u00edstica<\/a><\/em>. Madrid: Ministerio de Educaci\u00f3n y Ciencia.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-23\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Salgado, Jorge; Gilvano Dalagna, Alfonso Benetti, y Francisco Monteiro. 2018.\u00a0<a href=\"https:\/\/ria.ua.pt\/bitstream\/10773\/24282\/3\/Cahier1When%20is%20research%20artistic%20research_.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><em>When Research is Artistic Research<\/em>. Cahiers of Artistic Research 1<\/a>. Aveiro: Universidade de Aveiro.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-24\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Salgado, Jorge; Gilvano Dalagna. 2019.\u00a0<em><a href=\"https:\/\/ria.ua.pt\/bitstream\/10773\/25185\/1\/Cahier%202_Premises%20of%20AR%20(1).pdf?fbclid=IwAR1y0RJXYxo0aYtDNJCF-5aVAiuB9bkg9u9AHOJD--mXTuOpLLlEyQ3mooo\" target=\"_blank\" rel=\"noreferrer noopener\">Premises for artistic research<\/a><\/em>. Cahiers of Artistic Research 2. Aveiro: Universidade de Aveiro.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-25\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Salgado, Jorge, Gilvano Dalagna. 2020.\u00a0<em><a href=\"https:\/\/ria.ua.pt\/bitstream\/10773\/28182\/1\/Correia%20and%20Dalagana_Chaier%203_A%20model%20for%20artistic%20research.pdf?fbclid=IwAR3-w1VtvrcY2sK3h05_PtOPJmcrhavC3bYeH7fNVHLJIVamd9HhjD2Doo0\" target=\"_blank\" rel=\"noreferrer noopener\">A model for Artistic Research<\/a><\/em>. Cahiers of Artistic Research 3. Aveiro: Universidade de Aveiro.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-26\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Salgado, Jorge; Gilvano Dalagna. 2020.\u00a0<em><a href=\"https:\/\/ria.ua.pt\/bitstream\/10773\/28268\/1\/ESP_3er_Cahier_Un-modelo-de-investigacion-artistica.pdf?fbclid=IwAR1AsJesJSMrz41AnKRJJF1Ms6th7hP9v8E3YNC9jwL3S_GLRptfdX7itOA\" target=\"_blank\" rel=\"noreferrer noopener\">Un modelo de investigaci\u00f3n art\u00edstica<\/a><\/em>. Cahiers of Artistic Research 3. Aveiro: Universidade de Aveiro.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-27\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Schwab, Michael. 2013.\u00a0<a href=\"http:\/\/www.amazon.com\/Experimental-Systems-Knowledge-Artistic-Institute\/dp\/905867973X\/ref=sr_1_1?ie=UTF8&amp;qid=1405681642&amp;sr=8-1&amp;keywords=Experimental+Systems%3A+Future+Knowledge+in+Artistic+Research\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Experimental Systems<\/em><\/a><em>: Future Knowledge in Artistic Research<\/em>.\u00a0Leuven: Leuven University Press.\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-28\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Schwab, Michael y Henk Borgdorff. 2014.\u00a0<em><a href=\"http:\/\/www.amazon.com\/The-Exposition-Artistic-Research-Publishing\/dp\/9087281641\/ref=sr_1_1?ie=UTF8&amp;qid=1405681687&amp;sr=8-1&amp;keywords=Borgdorff%2C+Henk\" target=\"_blank\" rel=\"noreferrer noopener\">The Exposition of Artistic Research<\/a>: Publishing Art in Academia<\/em>. Leiden: Leiden University Press. \u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-29\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Schwab, Michael. 2018.\u00a0<em><a href=\"https:\/\/orpheusinstituut.be\/en\/publications\/transpositions\" target=\"_blank\" rel=\"noreferrer noopener\">Transpositions: Aesthetico-Epistemic Operators in Artistic Research<\/a><\/em>. Leuven: Leuven University Press.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-30\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">St\u00e9vance, Sophie, y Serge Lacasse. 2017.\u00a0<em>Research-Creation in Music and the Arts: Towards a Collaborative Interdiscipline<\/em>. Routledge.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-31\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Swartz, Jeffrey, ed. 2020.\u00a0<em>Indisciplinas. Investigaci\u00f3n en la pr\u00e1ctica de las artes<\/em>. Barcelona: Campus de les Arts y Universitat de Barcelona.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-32\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Verwoert, Jan, Natascha Sadr Haghighian, Guadalupe Echevarria, Dora Garc\u00eda, Dieter Lesage, y Tony Brown. 2011.\u00a0<em>En torno a la investigaci\u00f3n art\u00edstica: pensar y ense\u00f1ar arte: entre la pr\u00e1ctica y la especulaci\u00f3n te\u00f3rica<\/em>. Barcelona: Museu d\u2019Art Contemporani de Barcelona\/ Universitat Aut\u00f2noma de Barcelona.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-33\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Wesseling, Janneke. 2017.\u00a0<em>Of Sponge, Stone and the Intertwinement with the Here and Now: A Methodology of Artistic Research<\/em>. Amsterdam: Valiz\/vis-\u00e0-vis.<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div id=\"7ec074\" class=\"wp-block-gutentor-m6-item section-7ec074 gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-789ad4\"><div class=\"gm-ah-789ad4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">Art\u00edculos<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-789ad4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-789ad4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-789ad4 gutentor-module-accordion-body\">\n<div id=\"section-gc5e7b3\" class=\"wp-block-gutentor-e0 section-gc5e7b3 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><\/p><\/div><\/div>\n\n\n\n<div id=\"section-ge96ba9\" class=\"wp-block-gutentor-e7 section-ge96ba9 gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Ar\u00e1ez Santiago, Tatiana, y Juan Camilo Rojas Guti\u00e9rrez (2020). \u00abLa Investigaci\u00f3n art\u00edstica en m\u00fasica: Una gu\u00eda de estudios doctorales en Europa\u00bb.\u00a0<em>Quodlibet<\/em>\u00a0No. 74, 168-222.\u00a0<a href=\"https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/quodlibet\/article\/view\/780\/375\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/quodlibet\/article\/view\/780\/375<\/a>\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Asprilla, Ligia. 2014. \u00ab<a href=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/La-produccio\u0301n-de-conocimiento-desde-las-artes-Propuesta-para-un-Programa-Nacional-de-las-Artes-adscrito-a-Colciencias.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">La producci\u00f3n de conocimiento desde las artes Propuesta para un Programa Nacional de las Artes adscrito a Colciencias<\/a>\u00bb.\u00a0<em>A contratiempo<\/em>\u00a0<em>revista de m\u00fasica en la cultura<\/em>\u00a023.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-2\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Borgdorff, Henk, y Michiel Schuijer. 2010. \u00ab<a href=\"http:\/\/www.dissonance.ch\/en\/main_articles\/1\/\" target=\"_blank\" rel=\"noreferrer noopener\">Research in the conservatoire: Exploring the middle ground<\/a>\u00bb.\u00a0<em>Dissonanz\/Dissonance<\/em>\u00a0110: 14-19.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-3\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Borgdorff, Henk. \u00ab<a href=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Artistic-research-within-the-fields-of-science-.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Artistic research within the fields of science<\/a>\u00bb.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-4\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Borgdorff, Henk. 2006.\u00a0<a href=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/El-debate-sobre-la-investigacio\u0301n-en-las-artes-.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">El debate sobre la investigaci\u00f3n en las artes\u00a0<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-5\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Borgdorff, Henk. 2006.\u00a0<a href=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/The-debate-on-research-in-the-arts.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The debate on research in the arts<\/a>. Kunsth\u00f8gskolen y Bergen. Borgdorff, Henk. 2012.\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-6\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Chiantore, Luca (2020). \u00abRetos y oportunidades en la investigaci\u00f3n art\u00edstica en m\u00fasica cl\u00e1sica\u00bb.\u00a0Quodlibet No. 74: 55-86.\u00a0<a href=\"https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/quodlibet\/article\/view\/775\/370\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/quodlibet\/article\/view\/775\/370<\/a>\u00a0\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-7\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Chiantore, Luca (2017). \u00abUndisciplining music: Artistic research and historiographic activism\u00bb. IMPAR: Online Journal for Artistic Research Vol 1 No 2.\u00a0<a href=\"https:\/\/proa.ua.pt\/index.php\/impar\/article\/view\/775\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/proa.ua.pt\/index.php\/impar\/article\/view\/775<\/a>\u00a0\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-8\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/The-conflict-of-the-faculties.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Conflict of the Faculties<\/a><em>.<\/em><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-9\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Crispin, Darla (2019. \u00abThe Deterritorialization and Reterritorialization of Artistic Research\u00bb. IMPAR: Online Journal for Artistic Research Vol 3 No 2.\u00a0<a href=\"https:\/\/proa.ua.pt\/index.php\/impar\/article\/view\/14146\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/proa.ua.pt\/index.php\/impar\/article\/view\/14146<\/a>\u00a0\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-10\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Hern\u00e1ndez Salgar, \u00d3scar. 2014. &#8220;<em><a href=\"http:\/\/www.musigrafia.org\/acontratiempo\/?ediciones\/revista-23\/artculos\/la-creacin-y-la-investigacin-artstica-en-instituciones-colombianas-de-educacin-superior.html\" target=\"_blank\" rel=\"noreferrer noopener\">La creaci\u00f3n y la investigaci\u00f3n art\u00edstica en instituciones colombianas de educaci\u00f3n superior<\/a><\/em>&#8220;.\u00a0<em>A Contratiempo, revista de m\u00fasica en la cultura<\/em>. 23.\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-11\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n. 2012. \u00abLa recerca art\u00edstica als conservatoris. Discussions, models i propostes\u00bb.\u00a0<em>L\u2019ESMuC digital. Revista de L\u2019Escola Superior de M\u00fasica de Catalunya<\/em>\u00a09.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-12\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n. 2013. &#8220;De la repetitionau concert&#8221;.\u00a0Explorando la investigaci\u00f3n art\u00edsticamultidisciplinar.\u00a0<em>L\u2019ESMuC Digital<\/em>\u00a018.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-13\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n. 2013. \u00abDel proyecto final al trabajo final de grado. Tipos y estrategias b\u00e1sicas del trabajo escrito.\u00bb\u00a0<em>L\u2019ESMuC digital. Revista de L\u2019Escola Superior de M\u00fasica de Catalunya<\/em>\u00a017.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-14\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n. 2013. \u00abInvestigaci\u00f3n art\u00edstica. Grupo de trabajo de la red Polifon\u00eda\u00bb.\u00a0<em>L\u2019ESMuC digital. Revista de L\u2019Escola Superior de M\u00fasica de Catalunya<\/em>, n.<sup>o<\/sup>\u00a017.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-15\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n. 2013. \u00ab<a href=\"https:\/\/www.academia.edu\/6777383\/La_investigacion_artistica_en_los_conservatorios_del_espacio_educativo_europeo._Discusiones_modelos_y_propuestas\" target=\"_blank\" rel=\"noreferrer noopener\">La investigaci\u00f3n art\u00edstica en los conservatorios del espacio educativo europeo. Discusiones, modelos y propuestas<\/a>\u00bb.\u00a0<em>Cuadernos de M\u00fasica Iberoamericana.<\/em>\u00a025-26: 213-31.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-16\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n. 2013.\u00a0The(Re)Sounding Experiment. Traces, Faces and Spaces of Artistic Research.\u00a0<em>L\u2019ESMuC Digital,<\/em>\u00a017<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-17\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n y San Crist\u00f3bal, \u00darsula.\u00a02014. &#8220;<a href=\"https:\/\/www.academia.edu\/9516320\/_Entre_musicolog%C3%ADa_encubierta_y_mi_obra_es_mi_investigaci%C3%B3n_mapeando_el_espacio_de_la_investigaci%C3%B3n_art%C3%ADstica_en_m%C3%BAsica_A_contratiempo_Revista_de_m%C3%BAsica_y_cultura_23_ISSN_2145_1958\" target=\"_blank\" rel=\"noreferrer noopener\">Entre &#8220;musicolog\u00eda encubierta&#8221; y &#8220;mi obra es mi investigaci\u00f3n&#8221;: mapeando el espacio de la investigaci\u00f3n art\u00edstica en m\u00fasica<\/a>&#8220;.\u00a0<em>A contratiempo<\/em>\u00a023.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-18\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n. 2015.\u00a0<a href=\"https:\/\/www.academia.edu\/14736946\/Educar_para_la_investigaci%C3%B3n_creaci%C3%B3n_%C3%A1reas_de_trabajo_tipos_de_conocimiento_y_problemas_de_implementaci%C3%B3n\" target=\"_blank\" rel=\"noreferrer noopener\">Educar para la investigaci\u00f3n-creaci\u00f3n: \u00e1reas de trabajo, tipos de conocimiento y problemas de implementaci\u00f3n<\/a>.\u00a0<em>A contratiempo<\/em>\u00a025.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-19\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n. 2015.\u00a0&#8220;<a href=\"https:\/\/periodicos.ufrn.br\/artresearchjournal\/article\/view\/7127\" target=\"_blank\" rel=\"noreferrer noopener\">Pesquisa art\u00edstica, conhecimento musical e a crise da contemporaneidade<\/a><em>&#8220;. Art research journal<\/em>2\/ 1 \u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-20\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n. 2020. \u00ab<a href=\"https:\/\/www.academia.edu\/44207012\/Investigaci%C3%B3n_art%C3%ADstica_en_tr%C3%A1nsito\" target=\"_blank\" rel=\"noreferrer noopener\">Investigaci\u00f3n art\u00edstica en tr\u00e1nsito<\/a>\u00bb.\u00a0<em>Resonancias: Revista de investigaci\u00f3n musical<\/em>\u00a024 (46), pp. 135-40.\u00a0DOI:\u00a0<a href=\"https:\/\/doi.org\/10.7764\/res.2020.46.7\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7764\/res.2020.46.7\u00a0<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-21\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n. 2020. \u201cInvestigaci\u00f3n art\u00edstica indisciplinada\u201d. Introducci\u00f3n a\u00a0<em><a href=\"https:\/\/es.campusdelesarts.org\/proceedings\" target=\"_blank\" rel=\"noreferrer noopener\">INDISCIPLINES Actes del Congr\u00e9s sobre la recerca en la pr\u00e0ctica de les arts<\/a><\/em>.\u00a0Jeffrey Swartz (ed). Barcelona: Campus de les arts.\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-22\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n. 2020. \u201c<a href=\"https:\/\/www.academia.edu\/44201648\/La_evaluaci%C3%B3n_de_la_investigaci%C3%B3n_art%C3%ADstica_formativa\" target=\"_blank\" rel=\"noreferrer noopener\">La evaluaci\u00f3n de la investigaci\u00f3n art\u00edstica formativa<\/a>\u201d.\u00a0<em>Revista Acad\u00e9mica Estesis<\/em>,\u00a0<em>8\u00a0<\/em>(8), pp. 28-41.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-23\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n (2020). \u00abLa Investigaci\u00f3n art\u00edstica en m\u00fasica en Latinoam\u00e9rica\u00bb.\u00a0Quodlibet No. 74, 139-167.\u00a0<a href=\"https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/quodlibet\/article\/view\/779\/374\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/quodlibet\/article\/view\/779\/374<\/a>\u00a0\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-24\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">L\u00f3pez-Cano, Rub\u00e9n y \u00darsula San Crist\u00f3bal. 2020. \u00abInvestigaci\u00f3n art\u00edstica en m\u00fasica: Cuatro escenas y un modelo para la investigaci\u00f3n formativa\u00bb.\u00a0Quodlibet No. 74, 87-116.\u00a0<a href=\"https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/quodlibet\/article\/view\/777\/372\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/quodlibet\/article\/view\/777\/372<\/a>. \u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-25\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Narejos, Antonio (2020). \u00abLa M\u00fasica en la investigaci\u00f3n art\u00edstica: Perspectiva espa\u00f1ola actual\u00bb.\u00a0Quodlibet No. 74, 117-138.\u00a0<a href=\"https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/quodlibet\/article\/view\/778\/373\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/quodlibet\/article\/view\/778\/373<\/a>. \u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-26\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">San Crist\u00f3bal, \u00darsula San, y Rub\u00e9n L\u00f3pez-Cano. 2013. \u00abThe short music video in early and classical music\u00bb.\u00a0<em>L\u2019ESMuC digital. Revista de L\u2019Escola Superior de M\u00fasica de Catalunya<\/em>\u00a023.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-27\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Schacher, Jan . 2013. \u00abAn Exercise in Freedom. Researching Bodily Performance in Electronic Music\u00bb.\u00a0<em>L\u2019ESMuC digital. Revista de L\u2019Escola Superior de M\u00fasica de Catalunya<\/em>\u00a021.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-28\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Solleveld, Floris. 2012. \u00ab<a href=\"https:\/\/www.academia.edu\/2088073\/A_Paradigm_for_What_Review_of_Henk_Borgdorff_The_Conflict_of_the_Faculties_Perspectives_on_Artistic_Research_and_Academia_\" target=\"_blank\" rel=\"noreferrer noopener\">A Paradigm for What<\/a>?. Review of: Henk Borgdorff (2012) The Conflict of the Faculties: Perspectives on Artistic Research and Academia.\u00bb\u00a0<em>Krisis. Journal for Contemporary Philosophy<\/em>, n.<sup>o<\/sup>\u00a02: 78-82.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-29\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Ulh\u00f4a, Martha Tupinamb\u00e1 de. 2014. &#8220;<a href=\"https:\/\/www.academia.edu\/51633889\/Pesquisa_Art%C3%ADstica_Editorial\" target=\"_blank\" rel=\"noreferrer noopener\">Pesquisa Art\u00edstica<\/a>&#8220;- Editorial.\u00a0<em>ARJ &#8211; Art Research Journal\u00a0<\/em>1\/2, pp. i-vi. <\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-30\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Ulh\u00f4a, Martha Tupinamb\u00e1 de. 2014. &#8220;<a href=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Artistic-Research-.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Artistic Research &#8211; Editorial<\/a>&#8220;.\u00a0<em>ARJ &#8211; Art Research Journal\u00a0<\/em>1\/2, pp. i-vi. <\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-31\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Wil\u00e9n, Sara. 2015. &#8220;A kaleidoscope of interactions. Researching and presenting processes of opera improvisation&#8221;.\u00a0<em>Esmuc digital<\/em>\u00a035.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-32\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Yip, Adilia. 2014. &#8220;The Creativity in Artistic Research Method&#8221;.\u00a0<em>Esmuc digital<\/em>\u00a031.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-33\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Zald\u00edvar, \u00c1lvaro. 2005. \u00abLas ense\u00f1anzas musicales y el nuevo Espacio Europeo de Educaci\u00f3n Superior: El reto de un marco organizativo adecuado y la necesidad de la investigaci\u00f3n creativa y \u201cperformativa\u201d\u00bb.\u00a0<em>Revista Interuniversitaria de Formaci\u00f3n del Profesorado,<\/em>\u00a019 (1): 95-122.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-34\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Zald\u00edvar, \u00c1lvaro. 2006. \u00abEl reto de la investigaci\u00f3n art\u00edstica y performativa\u00bb.\u00a0<em>Eufon\u00eda<\/em>\u00a038: 87-94.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-35\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Zald\u00edvar, \u00c1lvaro. 2008. \u00ab<a href=\"https:\/\/nanopdf.com\/download\/zaldivar-alvaro-2008pdf_pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Investigar desde el arte<\/a>\u00bb. Santa Cruz de Tenerife, marzo 17.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-36\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Zald\u00edvar, \u00c1lvaro. 2013.\u00a0\u201c<a href=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/La-pra\u0301ctica-musical-como-tarea-cienti\u0301fica.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">La pr\u00e1ctica musical como tarea cient\u00edfica: investigando etnogr\u00e1ficamente los procesos art\u00edsticos<\/a>\u201d, en\u00a0<em>Actas del II Congreso de Educaci\u00f3n e Investigaci\u00f3n Musical CEIMUS, Madrid 2012,\u00a0<\/em>IEM, SEM-EE y Universidad Rey Juan Carlos, Enclave Creativa editores, Madrid, pp. 518-53.<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div id=\"201b0a\" class=\"wp-block-gutentor-m6-item section-201b0a gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-789ad4\"><div class=\"gm-ah-789ad4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">Publicaciones peri\u00f3dicas<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-789ad4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-789ad4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-789ad4 gutentor-module-accordion-body\">\n<div id=\"section-g5f2fc4\" class=\"wp-block-gutentor-e0 section-g5f2fc4 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><\/p><\/div><\/div>\n\n\n\n<div id=\"section-gc47f0b\" class=\"wp-block-gutentor-e7 section-gc47f0b gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/artnodes.uoc.edu\/\" target=\"_blank\" rel=\"noreferrer noopener\">Artnodes<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/journals.library.ualberta.ca\/ari\/index.php\/ari\" target=\"_blank\" rel=\"noreferrer noopener\">Art\/Research International: A Transdisciplinary Journal<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-2\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"http:\/\/publicaciones.csmjaen.es\/index.php\/pruebas\/index\" target=\"_blank\" rel=\"noreferrer noopener\">AV Notas<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-3\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"http:\/\/www.casadelasamericas.org\/publicaciones\/boletinmusica\/actual\/revistaboletin.php?pagina=boletin\" target=\"_blank\" rel=\"noreferrer noopener\">Bolet\u00edn M\u00fasica<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-4\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/revistas.javeriana.edu.co\/index.php\/cma\" target=\"_blank\" rel=\"noreferrer noopener\">Cuadernos de M\u00fasica, Artes Visuales y Artes Esc\u00e9nicas<\/a>\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-5\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/www.redalyc.org\/revista.oa?id=874&amp;fbclid=IwAR1eD2CDG9ZsYUD7lJoDHBQQ6UFsT_u5FAe2ZybtXHMNQCkDjk3frW3Yqfo\" target=\"_blank\" rel=\"noreferrer noopener\">El Artista<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-6\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/revistas.ucr.ac.cr\/index.php\/escena\" target=\"_blank\" rel=\"noreferrer noopener\">ESCENA, Revista de las artes<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-7\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/www.sibetrans.com\/etno\/\" target=\"_blank\" rel=\"noreferrer noopener\">Etno. Cuadernos de etnomusicolog\u00eda<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-8\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/proa.ua.pt\/index.php\/impar\" target=\"_blank\" rel=\"noreferrer noopener\">IMPAR: Online\u00a0Journal\u00a0for Artistic Research<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-9\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/www.ucm.es\/siim\/journal-of-artistic-creation-and-literary-research\" target=\"_blank\" rel=\"noreferrer noopener\">Journal of Artistic Creation and Literary Research<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-10\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/jer.openlibhums.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">Journal\u00a0of\u00a0Embodied Research<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-11\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/revistas.ucp.pt\/index.php\/jsta\/index?fbclid=IwAR3zNMU99TARBLs0SMg0uZ-Y0-jTCO_EHL7NnFCDm6xiMNhZI1fhZDpdD1o\" target=\"_blank\" rel=\"noreferrer noopener\">Journal of Science and Technology of the Arts<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-12\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/www.researchcatalogue.net\/view\/558606\/558607\" target=\"_blank\" rel=\"noreferrer noopener\">Journal of Sonic Studies<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-13\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"http:\/\/musicperformanceresearch.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">Music Performance Research<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-14\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/www.musicandpractice.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">Music + Practice<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-15\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/nawi.espol.edu.ec\/index.php\/nawi\" target=\"_blank\" rel=\"noreferrer noopener\">\u00d1AWI: arte.dise\u00f1o.comunicaci\u00f3n<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-16\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"http:\/\/resonancias.uc.cl\/es\/\" target=\"_blank\" rel=\"noreferrer noopener\">Resonancias<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-17\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/revistas.unc.edu.ar\/index.php\/ART\/index\" target=\"_blank\" rel=\"noreferrer noopener\">Revista ARTilugio<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-18\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/sineris.es\/\" target=\"_blank\" rel=\"noreferrer noopener\">Revista S\u00edneris<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-19\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"http:\/\/ruukku-journal.fi\/en\/home\" target=\"_blank\" rel=\"noreferrer noopener\">RUUKKU Studies in Artistic Research<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-20\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"http:\/\/www.jar-online.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">Swedish Journal of Musicology.\u00a0<\/a><a href=\"http:\/\/musikforskning.se\/stm\/index.php?menu=2%20\" target=\"_blank\" rel=\"noreferrer noopener\">STM 2013<\/a>\u00a0(Special issue on artistic research in music).<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-21\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"http:\/\/www.jar-online.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Journal for Artistic Research<\/a>\u00a0(JAR)<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-22\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/www.en.visjournal.nu\/\" target=\"_blank\" rel=\"noreferrer noopener\">VIS \u2013 Nordic Journal for Artistic Research<\/a><\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div id=\"2505c7\" class=\"wp-block-gutentor-m6-item section-2505c7 gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-789ad4\"><div class=\"gm-ah-789ad4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">Proyectos y trabajos finales de carrera de la Esmuc<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-789ad4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-789ad4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-789ad4 gutentor-module-accordion-body\">\n<div id=\"section-g45ffd9\" class=\"wp-block-gutentor-e0 section-g45ffd9 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Nota:&nbsp;se mencionan s\u00f3lo algunos trabajos representativos o cercanos a la investigaci\u00f3n art\u00edstica o caracter\u00edstica del conservatorio. Para acceder a otros proyectos con orientaciones m\u00e1s acad\u00e9micas o de otro tipo vea&nbsp;RECERCAT.<br><br><strong>Jazz y M\u00fasica Moderna<\/strong><br>Basco Giron\u00e9s, Josep<br><a href=\"http:\/\/www.recercat.cat\/handle\/2072\/179094\" target=\"_blank\" rel=\"noreferrer noopener\">Modulacions i despla\u00e7aments r\u00edtmics<\/a><br><br><strong>M\u00fasica Cl\u00e1sica y Contempor\u00e1nea<\/strong><br>Fantova \u00c0lvarez, Eul\u00e0lia<br><a href=\"http:\/\/www.recercat.cat\/handle\/2072\/179114\" target=\"_blank\" rel=\"noreferrer noopener\">L\u2019evoluci\u00f3 de la veu de mezzo soprano dins la m\u00fasica religiosa cristiana occidental<\/a><br><br><strong>M\u00fasica Tradicional<\/strong><br>Puig Olives, Pau<br><a href=\"http:\/\/www.recercat.cat\/handle\/2072\/179236\" target=\"_blank\" rel=\"noreferrer noopener\">La dol\u00e7aina : nous recursos interpretatius?<\/a><br><br>Mestres Qu\u00e9, Jordi<br><a href=\"http:\/\/www.recercat.cat\/handle\/2072\/179149\" target=\"_blank\" rel=\"noreferrer noopener\">La gralla contempor\u00e0nia<\/a><br><br><strong>Pedagog\u00eda<\/strong><br>Mart\u00ednez Bonfill, Paula<br><a href=\"http:\/\/www.recercat.cat\/handle\/2072\/179234\" target=\"_blank\" rel=\"noreferrer noopener\">Viatge al m\u00f3n de les flautes<\/a><br><br>Roig Guarch, Laura Pietat; Castro B\u00e9rniz, Tamara<br><a href=\"http:\/\/www.recercat.cat\/handle\/2072\/179191\" target=\"_blank\" rel=\"noreferrer noopener\">Arts Fusi\u00f3 : una proposta did\u00e0ctica transdisciplin\u00e0ria a trav\u00e9s d\u2019un proc\u00e9s d\u2019aprenentatge creatiu<\/a><br><br>Vidal Ribas, Montserrat<br><a href=\"http:\/\/www.recercat.cat\/handle\/2072\/179088\" target=\"_blank\" rel=\"noreferrer noopener\">Organitzem-nos : qui fa qu\u00e8?<\/a><br><br><strong>Promoci\u00f3n y Gesti\u00f3n<\/strong><br>Bugni, Octavio<br><a href=\"http:\/\/www.recercat.cat\/handle\/2072\/182623\" target=\"_blank\" rel=\"noreferrer noopener\">Identidades sonoras : OTO Creations<\/a><br><br><strong>Teor\u00eda, Composici\u00f3n y Direcci\u00f3n<\/strong><br>Beriso Ros, Pedro Manuel<br><a href=\"http:\/\/www.recercat.cat\/handle\/2072\/179175\" target=\"_blank\" rel=\"noreferrer noopener\">Las dos versiones de la Cuarta Sinfon\u00eda de Robert Schumann : primer caso de revisi\u00f3n de una sinfon\u00eda por parte del propio compositor<\/a><br><br>Garc\u00eda Tom\u00e1s, Raquel<br><a href=\"http:\/\/www.recercat.cat\/handle\/2072\/179146\" target=\"_blank\" rel=\"noreferrer noopener\">La \u00f3pera como integraci\u00f3n de las artes : LSP 3.1<\/a><br><br><\/p><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div id=\"41281b\" class=\"wp-block-gutentor-m6-item section-41281b gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-789ad4\"><div class=\"gm-ah-789ad4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">Tesis de doctorado<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-789ad4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-789ad4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-789ad4 gutentor-module-accordion-body\">\n<div id=\"section-g5c3786\" class=\"wp-block-gutentor-e0 section-g5c3786 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><\/p><\/div><\/div>\n\n\n\n<div id=\"section-ge316f5\" class=\"wp-block-gutentor-e7 section-ge316f5 gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Magraner, Carles. 2013. \u00ab<a href=\"http:\/\/hdl.handle.net\/10251\/29752\" target=\"_blank\" rel=\"noreferrer noopener\">M\u00e9todo procesal y coherencias entre la experiencia y la nueva propuesta interpretativa<\/a>: una investigaci\u00f3n art\u00edstica (auto)etnogr\u00e1fica en torno a un programa de concierto y grabaci\u00f3n discogr\u00e1fica de ensaladas de Mateo Flecha y Bartolom\u00e9 C\u00e1rceres.\u00bb Valencia: Universidad Polit\u00e9cnica de Valencia. \u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">\u00d6stersj\u00f6, Stefan. 2008. \u00ab<a href=\"http:\/\/www.lu.se\/lup\/publication\/1237422\" target=\"_blank\" rel=\"noreferrer noopener\">Shut up \u201cN\u201d Play<\/a>!: Negotiating the Musical Work\u00bb. Malm\u00f6: Malm\u00f6 Academy of Music.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-2\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Palacios Quiroz, Rafael. 2012. \u00abLa pronuntiatio musicale. Une interpr\u00e9tation rh\u00e9torique au service de H\u00e4ndel, Mont\u00e9clair, C. P. E. Bach et Telemann\u00bb. Par\u00eds: Universit\u00e9 Paris-Sorbonne.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-3\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Smith, Robert. 2009. \u00ab<a href=\"http:\/\/baroquebass.com\/index.php?option=com_content&amp;amp;view=article&amp;amp;id=21\" target=\"_blank\" rel=\"noreferrer noopener\">Basso Continuo Realization on the Cello and Viol<\/a>\u00bb. Proyecto de Master, Amsterdam: Conservatorio de Amsterdam.<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-4\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Vaes, Luk. 2009. \u00ab<a href=\"https:\/\/openaccess.leidenuniv.nl\/handle\/1887\/15093\" target=\"_blank\" rel=\"noreferrer noopener\">Extended Piano Techniques<\/a>: In Theory, History and Performance Practice\u00bb. Leiden: Leiden University.\u00a0<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div id=\"d85684\" class=\"wp-block-gutentor-m6-item section-d85684 gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-789ad4\"><div class=\"gm-ah-789ad4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">Multimedia<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-789ad4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-789ad4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-789ad4 gutentor-module-accordion-body\">\n<div id=\"section-gdbbb83\" class=\"wp-block-gutentor-e0 section-gdbbb83 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><\/p><\/div><\/div>\n\n\n\n<div id=\"section-gc8094a\" class=\"wp-block-gutentor-e7 section-gc8094a gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Music: Research as Experience. Directed by H\u00e9ctor J. P\u00e9rez<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div id=\"6a7b31\" class=\"wp-block-gutentor-m6-item section-6a7b31 gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-789ad4\"><div class=\"gm-ah-789ad4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">Centros de investigaci\u00f3n art\u00edstica en Europa<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-789ad4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-789ad4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-789ad4 gutentor-module-accordion-body\">\n<div id=\"section-g924e7e\" class=\"wp-block-gutentor-e0 section-g924e7e gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g121279\" class=\"wp-block-gutentor-e7 section-g121279 gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/orpheusinstituut.be\/\" target=\"_blank\" rel=\"noreferrer noopener\">Orpheus\u00a0Instituut<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/www.uniarts.fi\/en\/units\/sibelius-academy\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sibelius\u00a0Academy<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-2\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"http:\/\/www.hemge.ch\/\" target=\"_blank\" rel=\"noreferrer noopener\">Haute \u00e9cole de\u00a0Musique\u00a0de\u00a0Gen\u00e8ve<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-3\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/www.cnsmd-lyon.fr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatoire National Sup\u00e9rieur\u00a0Musique et Danse\u00a0de Lyon<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-4\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/www.conservatoiredeparis.fr\/fr\/programmes-de-recherche\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatoire\u00a0national\u00a0sup\u00e9rieur\u00a0de musique et de danse de\u00a0Paris<\/a>\u00a0(La Recherche)<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-5\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"http:\/\/www.artisticresearch.ch\/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio de la Switzera italiana<\/a>\u00a0(Divisione Ricerca e Sviluppo)<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-6\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"http:\/\/www.gsmd.ac.uk\/about_the_school\/research\/\" target=\"_blank\" rel=\"noreferrer noopener\">Guildhall School\u00a0of\u00a0Music\u00a0&amp; Drama<\/a>\u00a0<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div id=\"69fd6a\" class=\"wp-block-gutentor-m6-item section-69fd6a gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-789ad4\"><div class=\"gm-ah-789ad4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">Recursos<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-789ad4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-789ad4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-789ad4 gutentor-module-accordion-body\">\n<div id=\"section-g2059d6\" class=\"wp-block-gutentor-e0 section-g2059d6 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><\/p><\/div><\/div>\n\n\n\n<div id=\"section-gb42318\" class=\"wp-block-gutentor-e7 section-gb42318 gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"international networking project on artistic research\" target=\"_blank\" rel=\"noreferrer noopener\"><a href=\"http:\/\/www.sharenetwork.eu\/home#1\" target=\"_blank\" rel=\"noreferrer noopener\">SHARE<\/a>: international networking project on artistic research<\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"http:\/\/www.researchcatalogue.net\/portal\" target=\"_blank\" rel=\"noreferrer noopener\">Research Catalogue<\/a>. An International Database for Artistic Research\u00a0<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-2\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"Swiss Artistic Research Network\" target=\"_blank\" rel=\"noreferrer noopener\"><a href=\"http:\/\/www.sarn.ch\/\" target=\"_blank\" rel=\"noreferrer noopener\">SARN::Swiss Artistic Research Network<\/a><\/a><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-3\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-angle-right\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><a href=\"https:\/\/www.facebook.com\/groups\/ArtisticResearchMusic\/\" target=\"_blank\" rel=\"noreferrer noopener\">Artistic Research in Music<\/a>\u00a0\/ Investigaci\u00f3n art\u00edstica en M\u00fasica (Facebook group)<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n<\/div><\/div><\/div>\n<\/div><\/section>\n<\/div><\/section>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Investigar en la ESMUC Presentaci\u00f3n<\/p>\n","protected":false},"author":5,"featured_media":16698,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1279],"tags":[1278],"class_list":["post-37813","page","type-page","status-publish","has-post-thumbnail","hentry","category-recerca-es","tag-recerca-es"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-04-25 12:00:32","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages\/37813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/comments?post=37813"}],"version-history":[{"count":25,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages\/37813\/revisions"}],"predecessor-version":[{"id":117640,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages\/37813\/revisions\/117640"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/media\/16698"}],"wp:attachment":[{"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/media?parent=37813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/categories?post=37813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/tags?post=37813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}