{"id":31972,"date":"2021-07-22T13:38:28","date_gmt":"2021-07-22T11:38:28","guid":{"rendered":"https:\/\/www.esmuc.cat\/grau\/interpretacio-jazz-i-musica-moderna\/interpretacio-jazz-i-musica-moderna-baix-electric-etc\/"},"modified":"2022-09-28T15:33:03","modified_gmt":"2022-09-28T13:33:03","slug":"interpretacio-jazz-i-musica-moderna-baix-electric-etc","status":"publish","type":"page","link":"https:\/\/www.esmuc.cat\/es\/estudios\/grau\/interpretacio-jazz-i-musica-moderna\/interpretacio-jazz-i-musica-moderna-baix-electric-etc\/","title":{"rendered":"Interpretaci\u00f3n Jazz y M\u00fasica Moderna (Instrumentos JyMM)"},"content":{"rendered":"\n
\n
<\/div>\n<\/div>\n\n\n
\n\t<\/span>\n\tESMUC<\/span><\/a><\/span> > Estudios<\/span><\/a><\/span> > Grado<\/span><\/a><\/span> > Interpretaci\u00f3n: jazz y m\u00fasica moderna<\/span><\/a><\/span> > Interpretaci\u00f3n Jazz y M\u00fasica Moderna (Instrumentos JyMM)<\/span><\/span><\/div>\n\n\n\n

Curr\u00edculum Interpretaci\u00f3n Jazz y M\u00fasica Moderna<\/h1>\n\n\n\n

Bajo el\u00e9ctrico, Bater\u00eda jazz\/MM, Contrabajo jazz, Guitarra jazz, Guitarra el\u00e9ctrica MM, Percusi\u00f3n MM, Piano jazz, Teclados MM, Viol\u00edn jazz<\/h3>\n\n\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\n\t
Materias y Asignaturas
\n <\/th>		 1r curso
\n <\/th>		 2ndo curso
\n <\/th>		 3r curso
\n <\/th>		 4to curso
\n <\/th>		 Total
\n <\/th>\n<\/tr>\n<\/thead>\n
<\/td>ECTS<\/td>h<\/td>ECTS<\/td>h<\/td>ECTS<\/td>h<\/td>ECTS<\/td>h<\/td>ECTS<\/td>h<\/td>\n<\/tr>\n
Cultura, pensamiento e historia (FB)<\/center> <\/td>\n<\/tr>\n
M\u00fasica y cultura I<\/a>, II<\/a> y III<\/a>
\n <\/td>		 6
\n <\/td>		 90
\n <\/td>		 3
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 9<\/b>
\n <\/td>		 135<\/b>
\n <\/td>\n<\/tr>\n
Desarrollo profesional<\/a>\u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 3
\n <\/td>		 45
\n <\/td>		 3<\/b>
\n <\/td>		 45<\/b>
\n <\/td>\n<\/tr>\n
Est\u00e9tica<\/a> I, II
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 4
\n <\/td>		 60
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 4<\/b>
\n <\/td>		 60<\/b>
\n <\/td>\n<\/tr>\n
Lenguajes y t\u00e9cnica de la m\u00fasica (FB)<\/center> <\/td>\n<\/tr>\n
Fundamentos de ac\u00fastica<\/a>
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 3
\n <\/td>		22,5<\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 3<\/b>
\n <\/td>		 22,5<\/b>
\n <\/td>\n<\/tr>\n
Metodolog\u00edas de an\u00e1lisis musical<\/a>
\n <\/td>		 4
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 4<\/b>
\n <\/td>		 45<\/b>
\n <\/td>\n<\/tr>\n
Percepci\u00f3n auditiva general<\/a>
\n <\/td>		 3
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 3<\/b>
\n <\/td>		 45<\/b>
\n <\/td>\n<\/tr>\n
Fundamentos de la composici\u00f3n<\/a>
\n <\/td>		 4
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 4<\/b>
\n <\/td>		 45<\/b>
\n <\/td>\n<\/tr>\n
Instrumento \/ Voz (OB)<\/center> <\/td>\n<\/tr>\n
Instrumento principal 1 a 8<\/a><\/td> 24
\n <\/td>		 37,5
\n <\/td>		 24
\n <\/td>		 37,5
\n <\/td>		 24
\n <\/td>		 37,5
\n <\/td>		 \u00a023
\n <\/td>		 \u00a037,5
\n <\/td>		 95<\/b>
\n <\/td>		 150<\/b>
\n <\/td>\n<\/tr>\n
2
\n <\/td>		22,5<\/td> 2
\n <\/td>		22,5<\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 4<\/b>
\n <\/td>		 45<\/b>
\n <\/td>\n<\/tr>\n
Formaci\u00f3n instrumental complementaria (OB)<\/center> <\/td>\n<\/tr>\n
Instrumento secundario 1 a 6<\/a>
\n <\/td>		 4
\n <\/td>		 15
\n <\/td>		 4
\n <\/td>		 15
\n <\/td>		 4
\n <\/td>		 15
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 12
\n <\/td>		 45
\n <\/td>\n<\/tr>\n
Improvisaci\u00f3n y acompa\u00f1amiento de jazz\/m\u00fasica moderna I, II, III y IV<\/td> 2
\n <\/td>		 22,5
\n <\/td>		 2
\n <\/td>		 22,5
\n <\/td>		 2
\n <\/td>		 22,5
\n <\/td>		 2
\n <\/td>		 22,5
\n <\/td>		 8
\n <\/td>		 90
\n <\/td>\n<\/tr>\n
Perfeccionamiento r\u00edtmico<\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2
\n <\/td>		 30
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2
\n <\/td>		 30
\n <\/td>\n<\/tr>\n
Percepci\u00f3n auditiva espec\u00edfica<\/a>
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2<\/b>
\n <\/td>		 45
\n <\/td>\n<\/tr>\n
M\u00fasica de conjunto (OB)<\/center> <\/td>\n<\/tr>\n
Big Band 1 y 2 (seg\u00fan modalidad)<\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2
\n <\/td>		 45
\n <\/td>\n<\/tr>\n
Conjunto instrumental 1 a 4<\/a><\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 4
\n <\/td>		 90
\n <\/td>		 2
\n <\/td>		 45
\n <\/td>		 2
\n <\/td>		 45
\n <\/td>		 8
\n <\/td>		 180
\n <\/td>\n<\/tr>\n
Coro I
\n <\/td>		 2
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2<\/b><\/b>
\n <\/td>		 45<\/b><\/b>
\n <\/td>\n<\/tr>\n
Combo 1 a 10<\/td> 4
\n <\/td>		 45
\n <\/td>		 6
\n <\/td>		 67,5
\n <\/td>		 4
\n <\/td>		 45
\n <\/td>		 6
\n <\/td>		 67,5
\n <\/td>		 20<\/b><\/b>
\n <\/td>		 225<\/b><\/b>
\n <\/td>\n<\/tr>\n
Teor\u00eda e historia (OB)<\/center> <\/td>\n<\/tr>\n
An\u00e1lisis de jazz\/MM I<\/a> y II<\/a> (seg\u00fan itinerario)<\/td> 3
\n <\/td>		 45
\n <\/td>		 3
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 6
\n <\/td>		 90
\n <\/td>\n<\/tr>\n
Arreglos del jazz I<\/a> y II<\/a> (seg\u00fan itinerario)<\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 3
\n <\/td>		 45
\n <\/td>		 3
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 6<\/b>
\n <\/td>		 90
\n <\/td>\n<\/tr>\n
Historia del jazz<\/a>
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 4
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 4<\/b>
\n <\/td>		 45
\n <\/td>\n<\/tr>\n
Historia de la m\u00fasica popular<\/a>
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 4
\n <\/td>		 45
\n <\/td>		 4
\n <\/td>		 45
\n <\/td>\n<\/tr>\n
Composici\u00f3n de jazz\/MM I<\/a> y II<\/a> (seg\u00fan itinerario)
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 3
\n <\/td>		 30
\n <\/td>		 3
\n <\/td>		 30
\n <\/td>		 6
\n <\/td>		 60
\n <\/td>\n<\/tr>\n
Tecnolog\u00eda musical (OB)<\/center><\/td>\n<\/tr>\n
Introducci\u00f3n a la tecnolog\u00eda musical <\/a>
\n <\/td>		 2
\n <\/td>		22,5<\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2<\/b>
\n <\/td>		 22,5<\/b>
\n <\/td>\n<\/tr>\n
T\u00e9cnicas de grabaci\u00f3n y postproducci\u00f3n I<\/a>
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2
\n <\/td>		22,5<\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2<\/b>
\n <\/td>		 22,5<\/b>
\n <\/td>\n<\/tr>\n
Materias optativas (OP)<\/center> <\/td>\n<\/tr>\n
Cr\u00e9ditos optativos<\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 6
\n <\/td>		 \u00a090
\n <\/td>		 9
\n <\/td>		 135
\n <\/td>		 15<\/b>
\n <\/td>		 225<\/b>
\n <\/td>\n<\/tr>\n
Trabajo Final (TFG)<\/center> <\/td>\n<\/tr>\n
Metodolog\u00edas de investigaci\u00f3n<\/a>
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2
\n <\/td>		 30
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2<\/b>
\n <\/td>		 30<\/b>
\n <\/td>\n<\/tr>\n
Trabajo fin de grado
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 8
\n <\/td>		 15
\n <\/td>		 8<\/b>
\n <\/td>		 15<\/b>
\n <\/td>\n<\/tr>\n<\/tbody>\n
TOTAL<\/b>
\n <\/th>		 60<\/b>
\r\n <\/th>		 480<\/b>
\r\n <\/th>		 60<\/b>
\r\n <\/th>		 510<\/b>
\r\n <\/th>		 60<\/b>
\r\n <\/th>		 510<\/b>
\r\n <\/th>		 60<\/b>
\r\n <\/th>		 442,5<\/b>
\r\n <\/th>		 240<\/b>
\r\n <\/th>		 1942,5<\/b>
\r\n <\/th>\n<\/tr>\n<\/tfoot>\n<\/table>\n\n","protected":false},"excerpt":{"rendered":"

Curr\u00edculum Interpretaci\u00f3n Jazz y M\u00fasica Moderna Bajo el\u00e9ctrico, Bater\u00eda jazz\/MM, Contrabajo jazz, Guitarra jazz, Guitarra el\u00e9ctrica MM, Percusi\u00f3n MM, Piano jazz, Teclados MM, Viol\u00edn jazz<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":30972,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1126],"tags":[1210],"class_list":["post-31972","page","type-page","status-publish","hentry","category-especialitats-es","tag-pla-destudis-es"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-04-12 18:08:43","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages\/31972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/comments?post=31972"}],"version-history":[{"count":7,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages\/31972\/revisions"}],"predecessor-version":[{"id":61765,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages\/31972\/revisions\/61765"}],"up":[{"embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages\/30972"}],"wp:attachment":[{"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/media?parent=31972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/categories?post=31972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/tags?post=31972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}