{"id":31363,"date":"2021-07-19T11:37:40","date_gmt":"2021-07-19T09:37:40","guid":{"rendered":"https:\/\/www.esmuc.cat\/grau\/direccio\/curriculum-direccio\/"},"modified":"2022-06-30T13:24:50","modified_gmt":"2022-06-30T11:24:50","slug":"curriculum-direccio","status":"publish","type":"page","link":"https:\/\/www.esmuc.cat\/es\/estudios\/grau\/direccio\/curriculum-direccio\/","title":{"rendered":"Curr\u00edculum Direcci\u00f3n"},"content":{"rendered":"\n
\n
<\/div>\n<\/div>\n\n\n
\n\t<\/span>\n\tESMUC<\/span><\/a><\/span> > Estudios<\/span><\/a><\/span> > Grado<\/span><\/a><\/span> > Direcci\u00f3n<\/span><\/a><\/span> > Curr\u00edculum Direcci\u00f3n<\/span><\/span><\/div>\n\n\n\n

Curr\u00edculum Direcci\u00f3n<\/h1>\n\n\n\n

Curr\u00edculum de la especialidad de Direcci\u00f3n (promoci\u00f3n 2014 y siguientes)<\/p><\/div><\/div>\n\n\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\n\t
Materias y Asignaturas
\n <\/th>		1r curso
\n <\/th>		2o curso
\n <\/th>		3r curso
\n <\/th>		4o curso
\n <\/th>		Total
\n <\/th>\n<\/tr>\n<\/thead>\n
<\/td>ECTS
\n <\/td>		h<\/td>ECTS
\n <\/td>		h<\/td>ECTS
\n <\/td>		h<\/td>ECTS<\/td>h
\n
\n <\/td>		ECTS<\/b><\/td>h<\/b> <\/td>\n<\/tr>\n
Cultura, pensamiento e historia (FB)<\/center><\/td>\n<\/tr>\n
M\u00fasica y cultura I<\/a>, II<\/a> y III<\/a>
\n <\/td>		 6
\n <\/td>		 90
\n <\/td>		 3
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 9<\/b>
\n <\/td>		135<\/b>
\n <\/td>\n<\/tr>\n
Desarrollo profesional<\/a>\u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 3
\n <\/td>		 45
\n <\/td>		 3<\/b>
\n <\/td>		45<\/b>
\n <\/td>\n<\/tr>\n
Est\u00e9tica<\/a> I, II
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 4
\n <\/td>		 60
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 4<\/b>
\n <\/td>		60<\/b>
\n <\/td>\n<\/tr>\n
Lenguajes y t\u00e9cnica de la m\u00fasica (FB)<\/center><\/td>\n<\/tr>\n
Fundamentos de ac\u00fastica<\/a>
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 3
\n <\/td>		22,5<\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 3<\/b>
\n <\/td>		22,5<\/b>
\n <\/td>\n<\/tr>\n
Metodolog\u00edas de an\u00e1lisis musical<\/a>
\n <\/td>		 4
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 4<\/b>
\n <\/td>		45<\/b>
\n <\/td>\n<\/tr>\n
Percepci\u00f3n auditiva general<\/a>
\n <\/td>		 3
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 3<\/b>
\n <\/td>		45<\/b>
\n <\/td>\n<\/tr>\n
Fundamentos de la composici\u00f3n<\/a>
\n <\/td>		 4
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 4<\/b>
\n <\/td>		45<\/b>
\n <\/td>\n<\/tr>\n
Formaci\u00f3n instrumental complementaria (OB)<\/center><\/td>\n<\/tr>\n
Piano 1 a 6 <\/td> 4 <\/td> 15
\n <\/td>		4
\n <\/td>		15
\n <\/td>		4
\n <\/td>		15
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 12<\/b>
\n <\/td>		45<\/b>
\n <\/td>\n<\/tr>\n
Canto 1 a 6 \/ Instrumento de la orquesta 1 a 6<\/td>4<\/td>15<\/td>4<\/td>15<\/td>4<\/td>15<\/td><\/td><\/td>12<\/td>45<\/td>\n<\/tr>\n
Fon\u00e9tica aplicada al canto I<\/td><\/td><\/td>2<\/td>30<\/td><\/td><\/td><\/td><\/td>2<\/td>30<\/td>\n<\/tr>\n
Improvisaci\u00f3n y acompa\u00f1amiento I y II<\/td>2<\/td>30<\/td>2<\/td>30<\/td><\/td><\/td><\/td><\/td>4<\/td>60<\/td>\n<\/tr>\n
Reducci\u00f3n de partituras I, II y III<\/td><\/td><\/td>4<\/td>45<\/td>4<\/td>45<\/td>4<\/td>45<\/td>12<\/td>135<\/td>\n<\/tr>\n
M\u00fasica de conjunto (OB)<\/center><\/td>\n<\/tr>\n
Coro 1
\n <\/td>		 2
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2<\/b>
\n <\/td>		45<\/b>
\n <\/td>\n<\/tr>\n
Conjunto instrumental 1 a 3<\/a><\/td>2<\/td>22,5<\/td>2 \u00a0
\n <\/td>		22,5 \u00a0
\n <\/td>		2 \u00a0
\n <\/td>		22,5 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 6<\/b>
\n <\/td>		67,5<\/b>
\n <\/td>\n<\/tr>\n
Composici\u00f3n y instrumentaci\u00f3n (OB)<\/center><\/td>\n<\/tr>\n
Instrumentaci\u00f3n y orquestraci\u00f3n I<\/a>, II<\/a>, III<\/a> y IV<\/a><\/td>3
\n <\/td>		45
\n <\/td>		3
\n <\/td>		45
\n <\/td>		3
\n <\/td>		45
\n <\/td>		3<\/td>45
\n <\/td>		 12<\/b>
\n <\/td>		180<\/b>
\n <\/td>\n<\/tr>\n
T\u00e9cnicas compositivas I<\/a> i II<\/a><\/td> <\/td> <\/td> <\/td> <\/td> 3<\/td>45 <\/td>3
\n <\/td>		45 <\/td> 6<\/b>
\n <\/td>		90<\/b>
\n <\/td>\n<\/tr>\n
Percepci\u00f3n auditiva espec\u00edfica<\/a>
\n <\/td>		 <\/td><\/td>2
\n <\/td>		45
\n <\/td>		 <\/td> <\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2<\/b>
\n <\/td>		45<\/b>
\n <\/td>\n<\/tr>\n
Teor\u00eda e historia (OB)<\/center><\/td>\n<\/tr>\n
An\u00e1lisis de la m\u00fasica I<\/a> y II<\/a><\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 3
\n <\/td>		 45
\n <\/td>		 3
\n <\/td>		 45
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 6<\/b>
\n <\/td>		90<\/b>
\n <\/td>\n<\/tr>\n
An\u00e1lisis de la m\u00fasica de los siglos XX y XXI<\/a><\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 <\/td> <\/td> \u00a03
\n <\/td>		 \u00a045
\n <\/td>		 3<\/b>
\n <\/td>		45<\/b>
\n <\/td>\n<\/tr>\n
Compositores catalanes de los siglos XX y XXI<\/a><\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 <\/td><\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 3<\/td>45 \u00a0
\n <\/td>		 3<\/b>
\n <\/td>		45<\/b>
\n <\/td>\n<\/tr>\n
T\u00e9cnica de la direcci\u00f3n (OB)<\/center><\/td>\n<\/tr>\n
Direcci\u00f3n y pr\u00e1cticas de coro principal 1 a 6<\/td> \u00a0
\n 12<\/td>		52,5 \u00a0
\n <\/td>		12
\n <\/td>		52,5 \u00a0
\n <\/td>		12
\n <\/td>		52,5
\n <\/td>		 <\/td> <\/td> 36<\/b>
\n <\/td>		157,5<\/b>
\n <\/td>\n<\/tr>\n
Direcci\u00f3n y pr\u00e1cticas de orquesta principal 1 a 6<\/td>12<\/td>52,5 <\/td>12<\/td>52,5 <\/td>12<\/td>52,5 <\/td><\/td><\/td>36<\/td>157,5<\/td>\n<\/tr>\n
Direcci\u00f3n y pr\u00e1cticas de coro principal \/ Direcci\u00f3n y pr\u00e1cticas de orquesta principal 7 y 8<\/td><\/td><\/td><\/td><\/td><\/td><\/td>24<\/td>52,5 <\/td>24<\/td>52,5<\/td>\n<\/tr>\n
Formaci\u00f3n corporal y comunicaci\u00f3n I <\/a>y II<\/a><\/td>2<\/td>22,5<\/td>2<\/td>22,5<\/td><\/td><\/td><\/td><\/td>4<\/td>45<\/td>\n<\/tr>\n
Tecnolog\u00eda musical (OB)<\/center><\/td>\n<\/tr>\n
Introducci\u00f3n a la tecnolog\u00eda musical <\/a><\/td> <\/td> <\/td>2 \u00a0
\n <\/td>		22,5<\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2<\/b>
\n <\/td>		22,5<\/b>
\n <\/td>\n<\/tr>\n
Edici\u00f3n de partituras con medios inform\u00e1ticos<\/a><\/td> <\/td> <\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		2 \u00a0
\n <\/td>		30 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2<\/b>
\n <\/td>		30<\/b>
\n <\/td>\n<\/tr>\n
T\u00e9cnicas de grabaci\u00f3n y postproducci\u00f3n I<\/a><\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 <\/td> <\/td> \u00a0
\n 2<\/td>		22,5<\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2<\/b>
\n <\/td>		22,5<\/b>
\n <\/td>\n<\/tr>\n
Materias optativas (OP)<\/center><\/td>\n<\/tr>\n
Cr\u00e9ditos optativos
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		3 \u00a0
\n <\/td>		45 \u00a0
\n <\/td>		9
\n <\/td>		135
\n <\/td>		 12<\/b>
\n <\/td>		180<\/b>
\n <\/td>\n<\/tr>\n
Trabajo Final (TFG)<\/center><\/td>\n<\/tr>\n
Metodolog\u00edas de investigaci\u00f3n<\/a><\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		2
\n <\/td>		30
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 2<\/b>
\n <\/td>		30<\/b>
\n <\/td>\n<\/tr>\n
Trabajo fin de grado<\/td> \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 \u00a0
\n <\/td>		 8
\n <\/td>		 15
\n <\/td>		 8<\/b>
\n <\/td>		15<\/b>
\n <\/td>\n<\/tr>\n<\/tbody>\n
TOTAL<\/th>60
\n <\/th>		525<\/th>60
\n <\/th>		510<\/th>60
\n <\/th>		525<\/th>60
\n <\/th>		472,5 <\/th>240
\n <\/th>		2032,5<\/b>
\n <\/th>\n<\/tr>\n<\/tfoot>\n<\/table>\n\n","protected":false},"excerpt":{"rendered":"

Curr\u00edculum Direcci\u00f3n<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":30940,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1126],"tags":[1210],"class_list":["post-31363","page","type-page","status-publish","hentry","category-especialitats-es","tag-pla-destudis-es"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-04-13 15:24:04","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages\/31363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/comments?post=31363"}],"version-history":[{"count":5,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages\/31363\/revisions"}],"predecessor-version":[{"id":82601,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages\/31363\/revisions\/82601"}],"up":[{"embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/pages\/30940"}],"wp:attachment":[{"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/media?parent=31363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/categories?post=31363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esmuc.cat\/es\/wp-json\/wp\/v2\/tags?post=31363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}