{"id":112501,"date":"2025-10-01T17:22:28","date_gmt":"2025-10-01T15:22:28","guid":{"rendered":"https:\/\/www.esmuc.cat\/investigacion\/congresos\/congreso-euromac-11\/"},"modified":"2025-10-28T10:57:22","modified_gmt":"2025-10-28T09:57:22","slug":"congreso-euromac-11","status":"publish","type":"page","link":"https:\/\/www.esmuc.cat\/es\/investigacion\/congresos\/congreso-euromac-11\/","title":{"rendered":"Congreso EuroMAC 11"},"content":{"rendered":"\r\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\r\n<div class=\"wp-block-column esmuc__Menu_Masters is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis: 33.33%;\">  <\/div>\r\n\r\n\r\n\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis: 66.66%;\"><div class=\"breadcrumbs align  wp-block-bcn-breadcrumb-trail has-text-color has-background\" vocab=\"https:\/\/schema.org\/\" typeof=\"BreadcrumbList\">\n\t<span><\/span>\n\t<span property=\"itemListElement\" typeof=\"ListItem\"><a property=\"item\" typeof=\"WebPage\" title=\"Ir a ESMUC.\" href=\"https:\/\/www.esmuc.cat\/es\/\" class=\"home\" ><span property=\"name\">ESMUC<\/span><\/a><meta property=\"position\" content=\"1\"><\/span> &gt; <span property=\"itemListElement\" typeof=\"ListItem\"><a property=\"item\" typeof=\"WebPage\" title=\"Ir a Investigaci\u00f3n.\" href=\"https:\/\/www.esmuc.cat\/es\/investigacion\/\" class=\"post post-page\" ><span property=\"name\">Investigaci\u00f3n<\/span><\/a><meta property=\"position\" content=\"2\"><\/span> &gt; <span property=\"itemListElement\" typeof=\"ListItem\"><a property=\"item\" typeof=\"WebPage\" title=\"Ir a Congresos.\" href=\"https:\/\/www.esmuc.cat\/es\/investigacion\/congresos\/\" class=\"post post-page\" ><span property=\"name\">Congresos<\/span><\/a><meta property=\"position\" content=\"3\"><\/span> &gt; <span property=\"itemListElement\" typeof=\"ListItem\"><span property=\"name\" class=\"post post-page current-item\">Congreso EuroMAC 11<\/span><meta property=\"url\" content=\"https:\/\/www.esmuc.cat\/es\/investigacion\/congresos\/congreso-euromac-11\/\"><meta property=\"position\" content=\"4\"><\/span><\/div>\n\r\n\r\n\r\n<div class=\"wp-block-spacer\" style=\"height: 30px;\" aria-hidden=\"true\">\u00a0<\/div>\r\n\r\n\r\n\r\n<h2 id=\"publicacions-esmuc\" class=\"wp-block-heading\">Congreso EuroMAC 11<\/h2>\r\n\r\n\r\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\r\n\r\n<figure class=\"wp-block-post-featured-image\"><img decoding=\"async\" width=\"2307\" height=\"1180\" src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/EUROMAC-2.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"EUROMAC-2\" style=\"object-fit:cover;\" srcset=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/EUROMAC-2.jpg 2307w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/EUROMAC-2-300x153.jpg 300w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/EUROMAC-2-1024x524.jpg 1024w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/EUROMAC-2-768x393.jpg 768w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/EUROMAC-2-1536x786.jpg 1536w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/EUROMAC-2-2048x1048.jpg 2048w\" sizes=\"(max-width: 2307px) 100vw, 2307px\" title=\"EUROMAC-2\" \/><\/figure>\r\n\r\n\r\n<div id=\"section-g-id1cnid\" class=\"wp-block-gutentor-e2 section-g-id1cnid gutentor-element gutentor-element-button\"><span class=\"gutentor-button-wrap\"><a class=\"gutentor-button gutentor-block-button gutentor-icon-before\" href=\"https:\/\/euromac11.sciencesconf.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"><i class=\"gutentor-button-icon fas fa-arrow-right\"><\/i>Accede a la p\u00e1gina del congreso<\/a><\/span><\/div>\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n\r\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\r\n\r\n\r\n<section id=\"g-lsukus8\" class=\"section-g-lsukus8 gutentor-module gutentor-module-accordion\">\r\n<div class=\"grid-container\">\r\n<div id=\"g-vm7vv1m\" class=\"wp-block-gutentor-m6-item section-g-vm7vv1m gutentor-module gutentor-module-accordion-item\">\r\n<div class=\"gutentor-module-accordion-panel g-a-panel-g-lsukus8\">\r\n<div class=\"gm-ah-g-lsukus8 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">Trasfondo<\/span><i class=\"gm-aio-g-lsukus8 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-g-lsukus8 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/div>\r\n<div class=\"gm-ab-g-lsukus8 gutentor-module-accordion-body\">\r\n<p>En 2017, durante el EuroMAC 9 en Estrasburgo, naci\u00f3 T&amp;AM como una red que reun\u00eda a nueve sociedades europeas de teor\u00eda y an\u00e1lisis musical. A d\u00eda de hoy, el consorcio ha incorporado otras cinco sociedades cient\u00edficas, incluidas las tres que organizan el EuroMAC 11. Este crecimiento demuestra la salud de nuestro campo cient\u00edfico, pero tambi\u00e9n nos alerta del riesgo de acciones dispersas. Por este motivo, ATAM, SATMUS y SPIM decidieron trabajar conjuntamente para el EuroMAC 11, despu\u00e9s de una fruct\u00edfera reuni\u00f3n de trabajo celebrada en la ESMUC en abril de 2024.<\/p>\r\n\r\n\r\n\r\n<p>Adem\u00e1s de las razones geogr\u00e1ficas mencionadas anteriormente, los pa\u00edses de la Pen\u00ednsula Ib\u00e9rica comparten un fuerte v\u00ednculo hist\u00f3rico con Am\u00e9rica Latina a causa de nuestro pasado colonial. Esperamos que nuestra iniciativa compartida para EuroMAC 11 tambi\u00e9n ayude a reforzar puentes de amistad y colaboraci\u00f3n cient\u00edfica con nuestros compa\u00f1eros del otro lado del oc\u00e9ano Atl\u00e1ntico.<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n<div id=\"g-b098tp0\" class=\"wp-block-gutentor-m6-item section-g-b098tp0 gutentor-module gutentor-module-accordion-item\">\r\n<div class=\"gutentor-module-accordion-panel g-a-panel-g-lsukus8\">\r\n<div class=\"gm-ah-g-lsukus8 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">EuroMAC tradici\u00f3n + prop\u00f3sito<\/span><i class=\"gm-aio-g-lsukus8 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-g-lsukus8 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/div>\r\n<div class=\"gm-ab-g-lsukus8 gutentor-module-accordion-body\">\r\n<p>Desde su primera edici\u00f3n en 1989, EuroMAC ha sido un foro clave para acad\u00e9micos, investigadores y profesionales de la teor\u00eda y el an\u00e1lisis musical en toda Europa y m\u00e1s all\u00e0 de sus fronteras. Durante m\u00e1s de tres d\u00e9cadas, ha reflejado la evoluci\u00f3n de la disciplina, desde la consolidaci\u00f3n de los m\u00e9todos anal\u00edticos y las sociedades nacionales hasta la aparici\u00f3n de enfoques m\u00e1s amplios, interdisciplinarios y conectados a nivel mundial. Cada edici\u00f3n ha contribuido a redefinir los prop\u00f3sitos, los lenguajes y las comunidades de la investigaci\u00f3n anal\u00edtica musical.<\/p>\r\n\r\n\r\n\r\n<p>EuroMAC 11 continua esta trayectoria, al tiempo que se plantea si el an\u00e1lisis musical se encuentra hoy en d\u00eda en un momento de crisis o de renovada vitalidad. El congreso tiene como objetivo fomentar el di\u00e1logo sobre el presente y el futuro de la disciplina, teniendo en cuenta tanto su legado hist\u00f3rico como sus intersecciones con el pensamiento y la pr\u00e1ctica contempor\u00e1neos. Se proponen tres l\u00edneas tem\u00e1ticas generales como posibles perspectivas desde las que abordar el tema:<\/p>\r\n\r\n\r\n\r\n<p><strong>1. Ontolog\u00eda: la naturaleza de la disciplina.<\/strong><\/p>\r\n\r\n\r\n\r\n<p>\u00bfQu\u00e9 significa dedicarse a la teor\u00eda y el an\u00e1lisis musical en 2026? \u00bfLa actual diversificaci\u00f3n de enfoques representa una fragmentaci\u00f3n del campo o la consolidaci\u00f3n de un nuevo dominio interdisciplinario?<\/p>\r\n\r\n\r\n\r\n<p><strong>2. Impacto: el an\u00e1lisis musical y los retos actuales.<\/strong><\/p>\r\n\r\n\r\n\r\n<p>\u00bfC\u00f3mo est\u00e1n transformando las preocupaciones anal\u00edticas los cambios globales, como la crisis clim\u00e1tica, las desigualdades sociales y culturales, la migraci\u00f3n, las identidades cambiantes, la digitalizaci\u00f3n y la inteligencia artificial? Y, a la inversa, \u00bfc\u00f3mo pueden las pr\u00e1cticas y epistemolog\u00edas del an\u00e1lisis musical influir en nuestra comprensi\u00f3n de estos retos?<\/p>\r\n\r\n\r\n\r\n<p><strong>3. Pragm\u00e1tica: objetos, mediaci\u00f3n y educaci\u00f3n.<\/strong><\/p>\r\n\r\n\r\n\r\n<p>\u00bfC\u00f3mo afectan los cambios en la funci\u00f3n social de la m\u00fasica, los medios de difusi\u00f3n y las tecnolog\u00edas de escucha y aprendizaje al objeto anal\u00edtico en s\u00ed mismo, as\u00ed como a las pedagog\u00edas y los m\u00e9todos de investigaci\u00f3n de la disciplina?<\/p>\r\n\r\n\r\n\r\n<p>Al plantear estas cuestiones, EuroMAC 11 pretende reafirmar la doble misi\u00f3n del congreso: representar la diversidad y la excelencia de la investigaci\u00f3n en teor\u00eda musical en Europa y ofrecer un espacio para la reflexi\u00f3n colectiva sobre su futuro epistemol\u00f3gico, cultural e institucional.<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n<div id=\"g-ktn2tco\" class=\"wp-block-gutentor-m6-item section-g-ktn2tco gutentor-module gutentor-module-accordion-item\">\r\n<div class=\"gutentor-module-accordion-panel g-a-panel-g-lsukus8\">\r\n<div class=\"gm-ah-g-lsukus8 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">EuroMAC 11 en la ESMUC<\/span><i class=\"gm-aio-g-lsukus8 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-g-lsukus8 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/div>\r\n<div class=\"gm-ab-g-lsukus8 gutentor-module-accordion-body\">\r\n<p>La ESMUC celebra su 25 aniversario en septiembre del 2026. Durante este tiempo, no s\u00f3lo ha consolidado su papel como centro de educaci\u00f3n superior en m\u00fasica -la \u00fanica instituci\u00f3n p\u00fablica de este tipo en Catalu\u00f1a-, sino que tambi\u00e9n ha obtenido un reconocimiento y una proyecci\u00f3n internacionales significativos.<\/p>\r\n\r\n\r\n\r\n<p>Actualmente, ESMUC participa en una serie de iniciativas y programas internacionales, en particular la Alianza Universitaria Europea In.Tune \u2014la \u00fanica alianza dedicada a la m\u00fasica y las artes\u2014 junto con siete universidades m\u00e1s del norte, este y oeste de Europa. La instituci\u00f3n tambi\u00e9n es miembro de la Asociaci\u00f3n Europea de Conservatorios, Academias y Escuelas de M\u00fasica (AEC); ELIA, la red europea para la educaci\u00f3n y la investigaci\u00f3n art\u00edstica superior; y el International Benchmarking Group (IBG), una red global de once conservatorios, escuelas de m\u00fasica, facultades y universidades de artes con dos objetivos principales: compartir las mejores pr\u00e1cticas y proporcionar liderazgo global en educaci\u00f3n y formaci\u00f3n musical. Adem\u00e1s, ESMUC participa en Musethica, una red internacional de proyectos y programas de conciertos destinados a que la m\u00fasica cl\u00e1sica sea accesible a las personas que se enfrentan a retos personales o sociales.<\/p>\r\n\r\n\r\n\r\n<p>As\u00ed, la proyecci\u00f3n de la ESMUC m\u00e1s all\u00e1 de su contexto regional -a nivel europeo e incluso global- es uno de los principios fundamentales de la escuela. Conseguir esto requiere una combinaci\u00f3n de muchos factores en m\u00faltiples direcciones: presencia en foros, redes y proyectos; internacionalizaci\u00f3n de su oferta acad\u00e9mica, profesorado y alumnado; y participaci\u00f3n activa en debates sobre el futuro de la educaci\u00f3n musical.<\/p>\r\n\r\n\r\n\r\n<p>Adem\u00e1s, la participaci\u00f3n y organizaci\u00f3n de eventos acad\u00e9micos de alto nivel, como el congreso EuroMAC, reflejan el compromiso de la instituci\u00f3n con la investigaci\u00f3n cient\u00edfica, que se consolida cada vez m\u00e1s a nivel institucional.<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n<div id=\"g-mjfl0om\" class=\"wp-block-gutentor-m6-item section-g-mjfl0om gutentor-module gutentor-module-accordion-item\">\r\n<div class=\"gutentor-module-accordion-panel g-a-panel-g-lsukus8\">\r\n<div class=\"gm-ah-g-lsukus8 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">Quienes somos<\/span><i class=\"gm-aio-g-lsukus8 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-g-lsukus8 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/div>\r\n<div class=\"gm-ab-g-lsukus8 gutentor-module-accordion-body\">\r\n<section id=\"g-4c344ez\" class=\"wp-block-gutentor-m3 section-g-4c344ez gutentor-module gutentor-container-cover\">\r\n<div class=\"grid-container\">\r\n<h5 class=\"wp-block-heading\">Coordinadores<\/h5>\r\n\r\n\r\n\r\n<div id=\"section-g-424vlp2\" class=\"wp-block-gutentor-e7 section-g-424vlp2 gutentor-element gutentor-element-list\">\r\n<ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\">\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Jos\u00e9 L. Besada (Universidad Complutense de Madrid \/ ICCMU, SATMUS)<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Josep Margarit (Escola Superior de M\u00fasica de Catalunya, ATAM)<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Jos\u00e9 Oliveira Martins (Universidade de Coimbra \/ CEIS20, SPIM)<\/p>\r\n<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/section>\r\n\r\n\r\n\r\n<section id=\"g-wqs9dpx\" class=\"wp-block-gutentor-m3 section-g-wqs9dpx gutentor-module gutentor-container-cover\">\r\n<div class=\"grid-container\">\r\n<h5 class=\"wp-block-heading\">Comit\u00e9 organizador<\/h5>\r\n\r\n\r\n\r\n<p>Pr\u00f3ximamente<\/p>\r\n\r\n\r\n\r\n<div id=\"section-g-424vlp2\" class=\"wp-block-gutentor-e7 section-g-424vlp2 gutentor-element gutentor-element-list d-none\">\r\n<ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\">\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Joaquim Rabaseda (Escola Superior de M\u00fasica de Catalunya)<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Rosa Tamarit (Escola Superior de M\u00fasica de Catalunya)<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Rosa Mar\u00eda Garc\u00eda Mira (Universidad Complutense de Madrid)<\/p>\r\n<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/section>\r\n\r\n\r\n\r\n<section id=\"g-a7w3w8v\" class=\"wp-block-gutentor-m3 section-g-a7w3w8v gutentor-module gutentor-container-cover\">\r\n<div class=\"grid-container\">\r\n<h5 class=\"wp-block-heading\">Comit\u00e9 cient\u00edfico permanente<\/h5>\r\n\r\n\r\n\r\n<div id=\"section-g-v8yzmlk\" class=\"wp-block-gutentor-e7 section-g-v8yzmlk gutentor-element gutentor-element-list\">\r\n<ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\">\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Hans Aerts (Hochschule f\u00fcr Musik Freiburg, GMTH)<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Kenneth Forkert-Smith (University of Liverpool, SMA)<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Beno\u00eet Gibson (Universidade de \u00c9vora \/ CESEM, SPIM)\u00a0<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Nathalie H\u00e9rold (Sorbonne Universit\u00e9 \/ IReMus, SFAM)\u00a0<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Sanja Ki\u0161 \u017duvela (Sveu\u010dili\u0161te u Zagrebu, HDGT)\u00a0<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Ildar Khannanov (Johns Hopkins University, OTM)\u00a0<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Nikola Komatovi\u0107 (independent, SDMT)\u00a0<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Suzanne Konings (Koninklijk Conservatorium Den Haag, VvM)\u00a0<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Violetta Kostka (Akademia Muzyczna im. Stanis\u0142awa Moniuszki w Gda\u0144sku, PTAM)\u00a0<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Michel Lambert (Institut Royal Sup\u00e9rieur de Musique et de P\u00e9dagogie de Namur, SBAM)\u00a0<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Ana Llorens (Universidad Complutense de Madrid \/ ICCMU, SATMUS)\u00a0<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Marina Mezzina (Conservatorio \u201cGiuseppe Martucci\u201d di Salerno, GATM)\u00a0<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Dimitar Ninov (Texas State University, BSMT)\u00a0<\/p>\r\n<\/li>\r\n<li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\">\r\n<p class=\"gutentor-single-item-title\">Thomas Noll (Escola Superior de M\u00fasica de Catalunya, ATAM)\u00a0<\/p>\r\n<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/section>\r\n\r\n\r\n\r\n<section id=\"g-t1obt77\" class=\"wp-block-gutentor-m3 section-g-t1obt77 gutentor-module gutentor-container-cover\">\r\n<div class=\"grid-container\">\r\n<h5 class=\"wp-block-heading\">Panel de revisores T&amp;AM<\/h5>\r\n\r\n\r\n\r\n<div class=\"wp-block-spacer\" style=\"height: 20px\" aria-hidden=\"true\">\u00a0<\/div>\r\n\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>Associaci\u00f3 de Teoria i An\u00e0lisi Musical (ATAM)<\/strong><\/summary>\r\n\r\n<p>Ramon Andreu, F\u00e9lix Pastor, Pedro Purroy, Eduard Resina, Montserrat Torras<\/p>\r\n<\/details>\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>\u0411\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u043e C\u0434\u0440\u0443\u0436\u0435\u043d\u0438\u0435 \u0437\u0430 M\u0443\u0437\u0438\u043a\u0430\u043b\u043d\u0430 T\u0435\u043e\u0440\u0438\u044f (BS\u041c\u0422)<\/strong><\/summary>\r\n\r\n<p>Milena Bozhikova, Bozhidar Chapkanov, Emilia Kolarova, Ivan Penev, Vladimir Popov<\/p>\r\n<\/details>\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>Gesellschaft f\u00fcr Musiktheorie (GMTH)<\/strong><\/summary>\r\n\r\n<p>Wendelin Bitzan, Juliane Brandes, Laura Kr\u00e4mer, Benjamin Lang, Pierluca Lanzilotta, Tobias Tschiedl<\/p>\r\n<\/details>\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>Hrvatsko Dru\u0161tvo Glazbenih Teoreti\u010dara (HDGT)<\/strong><\/summary>\r\n\r\n<p>Vito Bali\u0107, Martina Belkovi\u0107, Tomislav Bu\u017ei\u0107, Ivan \u0106urkovi\u0107, Nikolina Mato\u0161, Ingrid Pustijanac, Davorka Radica<\/p>\r\n<\/details>\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>\u041e\u0431\u0449\u0435\u0441\u0442\u0432\u043e \u0422\u0435\u043e\u0440\u0438\u0438 \u041c\u0443\u0437\u044b\u043a\u0438 (OTM)<\/strong><\/summary>\r\n\r\n<p>Anna Amrakhova, Natalia Efimova, Olga Loseva, Tatiana Naumenko, Alexey Panov, Daniil Shutko, Irina Susidko, Tatiana Tsaregradskaya, Konstantin Zenkin<\/p>\r\n<\/details>\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>Polskie Towarzystwo Analizy Muzycznej (PTAM)<\/strong><\/summary>\r\n\r\n<p>Agnieszka Draus, Iwona Lindstedt, Katarzyna Naliwajek, Renata Skupin<\/p>\r\n<\/details>\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>Sociedad de An\u00e1lisis y Teor\u00eda Musical (SATMUS)<\/strong><\/summary>\r\n\r\n<p>Octavio A. Agust\u00edn Aquino, Mar\u00eda Elena Cuenca, Alicia D\u00edaz de la Fuente, Santiago Gal\u00e1n, Crist\u00f3bal Garc\u00eda Gallardo, Diego Garc\u00eda Peinazo, Joan Grimalt, Sergio Lasu\u00e9n, Margarita Lorenzo de Reiz\u00e1bal, Juan David Manco, Sof\u00eda Mart\u00ednez Villar, Yvan Nommick, Olga S\u00e1nchez-Kisielewska<\/p>\r\n<\/details>\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>Soci\u00e9t\u00e9 Belge d&#8217;Analyse Musicale (SBAM)<\/strong><\/summary>\r\n\r\n<p>Fabian Balthazar, Anne-Emmanuelle Ceulemans, Viviane Mataigne, Nicolas Mee\u00f9s<\/p>\r\n<\/details>\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>\u0421\u0440\u043f\u0441\u043a\u043e \u0434\u0440\u0443\u0448\u0442\u0432\u043e \u0437\u0430 \u043c\u0443\u0437\u0438\u0447\u043a\u0443 \u0442\u0435\u043e\u0440\u0438\u0458\u0443 (SDMT)<\/strong><\/summary>\r\n\r\n<p>Marko Aleksi\u0107, Senka Beli\u0107, Zoran Bo\u017eani\u0107, Nata\u0161a Crnjanski, Milena Medi\u0107, Srdjan Teparic, Danijela Zdravi\u0107 Mihailovi\u0107<\/p>\r\n<\/details>\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>Societ\u00e0 Italiana di Analisi e Teoria Musicale (SIATM \u2013 GATM APS)<\/strong><\/summary>\r\n\r\n<p>Anna Maria Bordin, Gabriele Cecchetti, Matteo Farn\u00e9, Catello Gallotti, Cristina Ghirardini, Antonio Grande, Francesca Guerrasio, Marcello Piras, Egidio Pozzi, Fabio De Sanctis De Benedictis, Marco Targa, Giovanni Vacca, Stefano Zenni<\/p>\r\n<\/details>\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>Soci\u00e9t\u00e9 Fran\u00e7aise d&#8217;Analyse Musicale (SFAM)<\/strong><\/summary>\r\n\r\n<p>Claude Abromont, Muriel Boulan, Jean-Marc Chouvel, Fr\u00e9d\u00e9ric Dufeu, Philippe Gantchoula, Myl\u00e8ne Gioffredo, Marie-No\u00eblle Masson, Marc Rigaudi\u00e8re, Clotilde Verwaerde<\/p>\r\n<\/details>\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>Society for Music Analysis (SMA)<\/strong><\/summary>\r\n\r\n<p>Esther Cavett, Oliver Chandler, James Donaldson, Annika Forkert, Julian Horton, Ian Pace, Christopher Tarrant, Benedict Taylor<\/p>\r\n<\/details>\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>Sociedade Portuguesa de <strong>Investiga\u00e7\u00e3o<\/strong> em M\u00fasica (SPIM)<\/strong><\/summary>\r\n\r\n<p>Gilberto Bernardes, Paulo Ferreira de Castro, Miguel Borges Coelho, Filipa Magalh\u00e3es, Telmo Marques, Daniel Moreira, N\u00e1dia Moura, Paulo Perfeito, Isabel Pires, Ana Telles, Riccardo Wanke<\/p>\r\n<\/details>\r\n\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open=\"\">\r\n<summary><strong>Vereniging voor Muziektheorie (VvM)<\/strong><\/summary>\r\n\r\n<p>Patrick van Deurzen, Job IJzerman, Karst de Jong, Clemens Kemme, John Koslovsky, Bert Mooiman, Inge Pasmans, Ralf Pisters, Paul Scheepers, Patrick Schenkius, Michiel Schuijer, Ida Vujovic<\/p>\r\n<\/details><\/div>\r\n<\/section>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/section>\r\n\r\n\r\n\r\n<section id=\"g-0mye0fo\" class=\"wp-block-gutentor-m3 section-g-0mye0fo gutentor-module gutentor-container-cover has-color-bg has-custom-bg\">\r\n<div class=\"grid-container\">\r\n<h5 class=\"wp-block-heading\">El Congreso EuroMAC 11 est\u00e1 organizado por:<\/h5>\r\n\r\n\r\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\r\n\r\n\r\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\r\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\r\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.esmuc.cat\/es\/\"><img decoding=\"async\" width=\"234\" height=\"234\" class=\"wp-image-113117\" src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/Logo_esmuc.jpg\" alt=\"\" srcset=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/Logo_esmuc.jpg 234w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/Logo_esmuc-150x150.jpg 150w\" sizes=\"(max-width: 234px) 100vw, 234px\" \/><\/a><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\r\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/www.atam.cat\/\"><img decoding=\"async\" width=\"190\" height=\"190\" class=\"wp-image-113120\" src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/ATAM_logo-JPEG.jpg\" alt=\"\" srcset=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/ATAM_logo-JPEG.jpg 190w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/ATAM_logo-JPEG-150x150.jpg 150w\" sizes=\"(max-width: 190px) 100vw, 190px\" \/><\/a><\/figure>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\r\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\r\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.satmus.org\/\"><img decoding=\"async\" width=\"250\" height=\"250\" class=\"wp-image-113123\" src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/SATMUS_JPG.jpg\" alt=\"\" srcset=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/SATMUS_JPG.jpg 250w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/SATMUS_JPG-150x150.jpg 150w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/a><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\r\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.spimusica.pt\/\"><img decoding=\"async\" width=\"250\" height=\"250\" class=\"wp-image-113126\" src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/SPIM-logo-JPEG.jpg\" alt=\"\" srcset=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/SPIM-logo-JPEG.jpg 250w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/SPIM-logo-JPEG-150x150.jpg 150w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/a><\/figure>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\r\n\r\n\r\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis: 33.33%\">\r\n<h5 class=\"wp-block-heading\">En representaci\u00f3n de:<\/h5>\r\n<\/div>\r\n\r\n\r\n\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis: 66.66%\">\r\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/europeanmusictheory.eu\/\"><img decoding=\"async\" width=\"567\" height=\"113\" class=\"wp-image-112438\" src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/TAM_logo.jpg\" alt=\"T&amp;am Logo\" srcset=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/TAM_logo.jpg 567w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/TAM_logo-300x60.jpg 300w\" sizes=\"(max-width: 567px) 100vw, 567px\" \/><\/a><\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\r\n\r\n\r\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\r\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\r\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/bsmtpage.wordpress.com\/\"><img decoding=\"async\" width=\"246\" height=\"245\" class=\"wp-image-112443\" src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/BSMT_logo.jpeg\" alt=\"Bsmt Logo\" srcset=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/BSMT_logo.jpeg 246w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/BSMT_logo-150x150.jpeg 150w\" sizes=\"(max-width: 246px) 100vw, 246px\" \/><\/a><\/figure>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/eng.otmroo.ru\/\"><img decoding=\"async\" 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class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/www.gatm.it\/\"><img decoding=\"async\" width=\"250\" height=\"250\" class=\"wp-image-112446\" src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/Societa-Italiana.jpg\" alt=\"Societ\u00e0 Italiana\" srcset=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/Societa-Italiana.jpg 250w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/Societa-Italiana-150x150.jpg 150w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/a><\/figure>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/polmic.pl\/index.php?option=com_content&amp;view=article&amp;id=26778:polish-society-for-music-analysis&amp;catid=101&amp;lang=pl&amp;Itemid=516\"><img decoding=\"async\" width=\"250\" height=\"250\" class=\"wp-image-112461\" src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/PTAM_logo.jpg\" alt=\"Basic Cmyk\" 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src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/HDGT_logo.png\" alt=\"Hdgt Logo\" srcset=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/HDGT_logo.png 250w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/HDGT_logo-150x150.png 150w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/a><\/figure>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/sdmt.rs\/\"><img decoding=\"async\" width=\"250\" height=\"250\" class=\"wp-image-112467\" src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/SDMT-small-logo.jpg\" alt=\"Sdmt Small Logo\" srcset=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/SDMT-small-logo.jpg 250w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2025\/10\/SDMT-small-logo-150x150.jpg 150w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/a><\/figure>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/section>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Congreso EuroMAC 11 &nbsp; &nbsp;<\/p>\n","protected":false},"author":4,"featured_media":113088,"parent":112378,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1279],"tags":[1278],"class_list":["post-112501","page","type-page","status-publish","has-post-thumbnail","hentry","category-recerca-es","tag-recerca-es"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-04-16 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