{"id":87333,"date":"2023-10-25T10:58:10","date_gmt":"2023-10-25T08:58:10","guid":{"rendered":"https:\/\/www.esmuc.cat\/professorat\/sara-revilla\/"},"modified":"2024-02-29T16:02:24","modified_gmt":"2024-02-29T15:02:24","slug":"sara-revilla","status":"publish","type":"professorat","link":"https:\/\/www.esmuc.cat\/en\/professorat\/sara-revilla\/","title":{"rendered":"Sara Revilla"},"content":{"rendered":"\n<p>Ethnomusicologist and Doctor in Social and Cultural Anthropology, beneficiary of a scholarship for University Teacher Training (FPU) from the Ministry of Universities of the Spanish Government; His doctoral thesis, entitled <em>M\u00fasica i etnicitat a la Mold\u00e0via Romanesa. Discursos identitaris i estructures musicals<\/em> (UAB, 2017), analyses the role played by different musical genres as symbols of identity in a post-socialist context, specifically in the region of Moldova (Romania);<\/p>\n","protected":false},"featured_media":85824,"template":"","class_list":["post-87333","professorat","type-professorat","status-publish","has-post-thumbnail","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/professorat\/87333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/professorat"}],"about":[{"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/types\/professorat"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/media\/85824"}],"wp:attachment":[{"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/media?parent=87333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}