{"id":82292,"date":"2023-06-22T09:12:30","date_gmt":"2023-06-22T07:12:30","guid":{"rendered":"https:\/\/www.esmuc.cat\/tecsmuc-week-of-musical-creation-with-technologies\/"},"modified":"2023-07-04T11:22:52","modified_gmt":"2023-07-04T09:22:52","slug":"tecsmuc-week-of-musical-creation-with-technologies","status":"publish","type":"post","link":"https:\/\/www.esmuc.cat\/en\/tecsmuc-week-of-musical-creation-with-technologies\/","title":{"rendered":"TECSMUC, week of musical creation with technologies"},"content":{"rendered":"\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">TECSMUC<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">First edition of the week of musical creation with technologies at ESMUC<\/h3>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2023\/06\/Sala-orquestra-ESMUC-1024x576.jpg\" alt=\"Orchestra classroom Esmuc\" class=\"wp-image-81883\" srcset=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2023\/06\/Sala-orquestra-ESMUC-1024x576.jpg 1024w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2023\/06\/Sala-orquestra-ESMUC-300x169.jpg 300w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2023\/06\/Sala-orquestra-ESMUC-768x432.jpg 768w, https:\/\/www.esmuc.cat\/wp-content\/uploads\/2023\/06\/Sala-orquestra-ESMUC.jpg 1134w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<section id=\"gm46f334c\" class=\"wp-block-gutentor-m3 section-gm46f334c gutentor-module gutentor-container-cover\"><div class=\"grid-container\">\n<h3 class=\"wp-block-heading\">Five days, five themes<\/h3>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>TECSMUC <\/strong>is the week at Esmuc dedicated to musical creation with the incorporation of technological tools and formats. An event linked to the <a href=\"https:\/\/www.esmuc.cat\/en\/masters-i-postgraus\/master-propi-de-composicio-amb-tecnologies\/\"><strong>ESMUC&#8217;s Master&#8217;s Degree in Composition with technology<\/strong><\/a> de which also aims to encompass the <strong>diversity of approaches to musical creation<\/strong>. where the digital sound, its generation, processing and\/or projection play a substantial role, whether or not in combination with the use of acoustic instruments, either as an extension or as a counterpoint to the sonority of the instruments themselves; whether or not in combination with the generation or treatment of visual components; or as a unique, fully autonomous sound source. <\/p>\n\n\n\n<p>TECSMUC also wishes to incorporate <strong>presentations<\/strong> and <strong>research<\/strong> to explore this area of musical creation, while promoting a <strong>critical appreciation<\/strong> of the musical results introduced by these approaches, from the function of musical thought that corresponds to a centre such as ESMUC, defying the role of a mere showcase. That is why each day, dedicated to a different theme, includes, in addition to the concert, exhibitions and round tables where the public can also participate actively, asking questions directly to those responsible for each musical proposal.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/section>\n\n\n\n<section id=\"gmfc58fd2\" class=\"wp-block-gutentor-m3 section-gmfc58fd2 gutentor-module gutentor-container-cover has-color-bg has-custom-bg\"><div class=\"grid-container\">\n<div id=\"section-g0a1f87\" class=\"wp-block-gutentor-e7 section-g0a1f87 gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-calendar-alt\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">From 4 to 8 July 2023<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap g-s-list-i-icon\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon far fa-clock\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Sunday to Friday: from 16:00; Saturday: from 11:00<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-2\"><span class=\"gutentor-list-item-wrap g-s-list-wrap g-s-list-i-icon\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon fas fa-map-marker-alt\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\">Escola Superior de M\u00fasica de Catalunya<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n\n\n\n<div id=\"section-gc4583f\" class=\"wp-block-gutentor-e1 section-gc4583f gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Free entrance<\/strong><\/p><\/div><\/div>\n<\/div><\/section>\n\n\n\n<section id=\"gmf1f8baa\" class=\"wp-block-gutentor-m3 section-gmf1f8baa gutentor-module gutentor-container-cover\"><div class=\"grid-container\">\n<h3 class=\"wp-block-heading\">TECSMUC 2023 Programme<\/h3>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<section id=\"96d8a4\" class=\"section-96d8a4 gutentor-module gutentor-module-accordion\"><div class=\"grid-container\">\n<div id=\"cef762\" class=\"wp-block-gutentor-m6-item section-cef762 gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-96d8a4\"><div class=\"gm-ah-96d8a4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">4 July &#8211; Music and spatialisation<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-96d8a4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-96d8a4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-96d8a4 gutentor-module-accordion-body\">\n<p>From the 16th century, when Gabrieli distributed the cori spezzati (separate choirs) in the basilica of San Marco, through works where the musicians or the public can move around the space, to the most recent systems of 3D sound diffusion. \u2026 the unfolding of musical composition in space fascinates many composers: trajectories, sound plans, localisation, imaginary spaces or the restoration of the acoustics of a specific place, among others.<br>We will show different examples of compositions with multi-channel systems, with presentations and concerts of electroacoustic and mixed works.<\/p>\n\n\n\n<div id=\"section-g6c2929\" class=\"wp-block-gutentor-e7 section-g6c2929 gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon far fa-clock\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><strong>16:00<\/strong> &#8211; <strong>Presentations \/ round table <\/strong><br>Ariadna Alsina, Gerard Font, F\u00e8lix Pastor, Eduard Resina and \u00c0ngel Valverde<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon far fa-clock\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><strong>17:30<\/strong> &#8211; <strong>Concert<\/strong> with Esmuc&#8217;s multichannel system<br><br><em>Perspectivas<\/em> by Luis Na\u00f3n<br><em>Black Sun<\/em> by Ariadna Alsina<br><em>Synthetic Soundscape<\/em> by N\u00faria Gim\u00e9nez<br><em>6 synth\u00e8ses pour support 8 canaux<\/em> by Yan Maresz<br><em>Dialogue de l&#8217;ombre double<\/em> by Pierre Boulez (Joan Esteve Sayas, Clarinet)<br><\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div id=\"8fc39c\" class=\"wp-block-gutentor-m6-item section-8fc39c gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-96d8a4\"><div class=\"gm-ah-96d8a4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">5 July &#8211; Master&#8217;s Degree in Composition with Technologies<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-96d8a4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-96d8a4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-96d8a4 gutentor-module-accordion-body\">\n<p>Nowadays, it is possible to access musical creation with technologies, both from a musical training in contemporary experimental music composition, and from more popular musical styles, and even without any performing experience or musical training of any kind. The different backgrounds, knowledge and sound and musical experience of each user are linked to different functions and objectives, based on equally disparate reflections and technical knowledge and musical structure, which often converge in platforms, events and audiences where the technological spectacle dominates over the musical categories, diluting or neutralising their specific characteristics. <\/p>\n\n\n\n<p>How and at what level to approach this diversity of backgrounds, knowledge and interests at a formative level is an increasingly important aspect to consider in musical education where technology has ceased to be a field limited to a few to become a tool available and of daily use to almost everyone.<\/p>\n\n\n\n<div id=\"section-ge85200\" class=\"wp-block-gutentor-e7 section-ge85200 gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon far fa-clock\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><strong>16:00<\/strong> &#8211; <strong>Round table <\/strong><br>Ariadna Alsina, Oriol Saladrigues, F\u00e8lix Pastor, Eduard Resina<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon far fa-clock\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><strong>16:45 &#8211; Presentation<\/strong> of the project Le Vivier (<a href=\"https:\/\/levivier.ca\/en\">https:\/\/levivier.ca\/en<\/a>)<br>(Christine Curnillon &#8211; general director, Jeffrey Stonehouse &#8211; artistic director, Charlotte Colin &#8211; project manager)List Item<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-2\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon far fa-clock\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><strong>17:30<\/strong> &#8211; <strong>Concert<\/strong> with master&#8217;s degree final projects<br><em>Antares Sparks<\/em> for guitar and MIDI controller, by Ariel Ariel Dickmann (Ariel Dickmann, guitar and MIDI controller)<br><em>AI is a warm gun<\/em> for electric guitar and electronics, by Roger Palomer (Roger Palomer, electric guitar)<br><em>La M\u00e0quina del Caos<\/em>, by Marc Gonzalez (Marc Gonz\u00e1lez, computer)<br><em>Content<\/em> for violin and tape, by Tom\u00e0s Pujol Owens (Tom\u00e0s Pujol Owens, violin)<br><em>Doubts<\/em> for voice and electronics, by Guillaume Sidoine (Guillaume Sidoine, voice)<br><em>V\u00e9rtigo<\/em>, by Jose Tom\u00e1s Novoa<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div id=\"25c999\" class=\"wp-block-gutentor-m6-item section-25c999 gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-96d8a4\"><div class=\"gm-ah-96d8a4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">6 July &#8211; Music and AI<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-96d8a4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-96d8a4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-96d8a4 gutentor-module-accordion-body\">\n<div id=\"section-gad378e\" class=\"wp-block-gutentor-e7 section-gad378e gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon far fa-clock\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><strong>16:00<\/strong> &#8211; <strong>Project presentations<\/strong><br>Adri\u00e0 Garcia: <em>AI, music and astronomy<\/em>. Two pieces for AI and instrument<br>Josep Manuel Berenguer: <em>AutoImpro <\/em>for guitar and 16 computational agents<br>Enric Guaus i F\u00e8lix Pastor: <em>nanAI<\/em>\u00a0for piano and IA<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon far fa-clock\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><strong>17:30<\/strong> &#8211; <strong>Concert<\/strong><br><em>Spectral AI-rmonies of Classic Forms<\/em> &#8211; Adri\u00e0 Garcia<br>piano and electronics (Adri\u00e0 Garc\u00eda, piano)<br><br><em>Spectral Suite No.1<\/em> &#8211; Adri\u00e0 Garcia<br>flute and electronics (Helena Bas, flute)<br><br><em>AutoImpro <\/em>&#8211; Josep Manuel Berenguer<br>guitar and 16 computational agents (Josep Manuel Berenguer, guitar)<br>\u00a0<br><em>nanAI<\/em><strong> <\/strong>&#8211; Enric Guaus and F\u00e8lix Pastor<br>IA and piano (Clara Peya, piano)<br><\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-2\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon far fa-clock\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><strong>18:45<\/strong> &#8211; <strong>Round Table<\/strong><br>Adri\u00e0 Garcia, Helena Bas, Josep Manuel Berenguer, Enric Guaus, F\u00e8lix Pastor, Clara Peya, Llu\u00eds Nacenta (moderador)<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div id=\"b4ad3f\" class=\"wp-block-gutentor-m6-item section-b4ad3f gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-96d8a4\"><div class=\"gm-ah-96d8a4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">7 July &#8211; Musical interaction with technologies<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-96d8a4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-96d8a4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-96d8a4 gutentor-module-accordion-body\">\n<div id=\"section-ge29b17\" class=\"wp-block-gutentor-e7 section-ge29b17 gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon far fa-clock\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><strong>16:00<\/strong> &#8211; <strong>Presentacions<\/strong><br>What is live coding? (Lina Bautista)<br>Mercury: minimalist language that focuses on agile expressiveness for composing, performing and communicating live programmed music, (Timo Hoogland)<br>GAIA: Synthesizer of virtual reality worlds. (Pedro Gonz\u00e1lez)<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon far fa-clock\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><strong>17:30<\/strong> &#8211; <strong>Concert<\/strong><br>Exhibit GAIA &#8211; Synthesizer of virtual reality worlds. Pedro Gonz\u00e1lez (VR), \u00c0lex Tentor (electric guitar), Carles Marig\u00f3 (piano)<br>Improvisation concert &#8211; Lina Bautista and Timo Hoogland (Live Coding)<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div id=\"a9495c\" class=\"wp-block-gutentor-m6-item section-a9495c gutentor-module gutentor-module-accordion-item\"><div class=\"gutentor-module-accordion-panel g-a-panel-96d8a4\"><div class=\"gm-ah-96d8a4 gutentor-module-accordion-item-heading gutentor-module-icon-position-right\"><span class=\"gutentor-module-accordion-panel-handler\" role=\"button\"><span class=\"gutentor-module-accordion-panel-handler-label\">8 July &#8211; Instrumental music with electronics<\/span><span class=\"gutentor-module-accordion-icon\"><i class=\"gm-aio-96d8a4 gutentor-module-accordion-icon-open fas fa-plus\"><\/i><i class=\"gm-aic-96d8a4 gutentor-module-accordion-icon-close fas fa-minus\"><\/i><\/span><\/span><\/div><div class=\"gm-ab-96d8a4 gutentor-module-accordion-body\">\n<div id=\"section-geb0c28\" class=\"wp-block-gutentor-e7 section-geb0c28 gutentor-element gutentor-element-list\"><ul class=\"grid-row gutentor-grid-item-wrap list-indicator-icon\"><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-0\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon far fa-clock\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><strong>11:00<\/strong> &#8211; <strong>Presentations \/ round table<\/strong><br>Joan Bag\u00e9s, Pedro Gonz\u00e1lez, performers of Morphosis Ensemble<\/p><\/span><\/span><\/span><\/li><li class=\"gutentor-list-item grid-lg-12 grid-md-12 grid-12\"><span class=\"gutentor-single-item gutentor-single-item-1\"><span class=\"gutentor-list-item-wrap g-s-list-wrap\"><span class=\"gutentor-single-list-item-icon\"><i class=\"list-item-icon far fa-clock\"><\/i><\/span><span class=\"gutentor-list-item\"><p class=\"gutentor-single-item-title\"><strong>12:30<\/strong> &#8211; <strong>Concert<\/strong><br>Flexus Project\u00a0&#8211; Joan Marti Frasquier (baritone sax), Marta Cardona (violin), Josep Vila Campabadal (accordion), Alejandro Castillo (clarinets), Anna Tobella (mezzo soprano), Rafa G\u00e1lvez (percussion), Joan Bag\u00e9s (electronic music).<br><br><em>Homo Porcus &#8211;<\/em> Joan Bag\u00e9s i Rub\u00ed (Catalunya)<br>Bass Clarinet, violin, voice and electronic music<br><br><em>Voices <\/em>&#8211; Lina J\u00e4rnegard (Sweden)<br>Violin and amplification<br><br><em>Whispers <\/em>&#8211; Albena Petrovic-Vratchanska (Bulgaria \/ Luxembourg)<br>Baritone sax, clarinet, voice and amplification<br><br><em>Bandes invisibles<\/em> &#8211; Joakim Sandgrem (Sweden \/ France)<br>Vibraphone and electronic music<br><br><em>&#8230;alive because of transformation&#8230;<\/em>\u00a0 Elo Masing (Estonia)<br>Voice, violin, bass clarinet, accordion and electronic music<br><br><em>Vagina Dentata<\/em> &#8211; Xavier Gelabert (Balearic Islands)<br>Bass clarinet, baritone sax, voice, accordion and electronic music<\/p><\/span><\/span><\/span><\/li><\/ul><\/div>\n<\/div><\/div><\/div>\n<\/div><\/section>\n<\/div><\/section>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div style=\"display: contents;\" >\n\n<div data-mode=\"normal\" data-oembed=\"1\" data-provider=\"youtube\" id=\"arve-youtube-wpkejqltudc\" style=\"max-width:900px;\" class=\"arve\">\n\t<div class=\"arve-inner\">\n\t\t<div style=\"aspect-ratio:500\/281\" class=\"arve-embed arve-embed--has-aspect-ratio\">\n\t\t\t<div class=\"arve-ar\" style=\"padding-top:56.200000%\"><\/div>\n\t\t\t<iframe allow=\"accelerometer &apos;none&apos;;autoplay &apos;none&apos;;bluetooth &apos;none&apos;;browsing-topics &apos;none&apos;;camera &apos;none&apos;;clipboard-read 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