{"id":26704,"date":"2022-02-04T10:07:05","date_gmt":"2022-02-04T09:07:05","guid":{"rendered":"https:\/\/www.esmuc.cat\/?p=26704"},"modified":"2023-03-13T09:44:26","modified_gmt":"2023-03-13T08:44:26","slug":"cicle-de-seminaris-en-linia-gender-sounds","status":"publish","type":"post","link":"https:\/\/www.esmuc.cat\/en\/cicle-de-seminaris-en-linia-gender-sounds\/","title":{"rendered":"Series Gender Sounds"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\" id=\"series-gender-sounds\">Series Gender Sounds<\/h1>\n\n\n\n<div id=\"section-gdfdb6d\" class=\"wp-block-gutentor-e2 section-gdfdb6d gutentor-element gutentor-element-button button-align-right-desktop\"><span class=\"gutentor-button-wrap\"><a class=\"gutentor-button gutentor-block-button gutentor-icon-hide\" href=\"https:\/\/www.esmuc.cat\/cicle-de-seminaris-en-linia-gender-sounds\/\"><i class=\"gutentor-button-icon fas fa-book\"><\/i><span>Veure traducci\u00f3 al catal\u00e0<\/span><\/a><\/span><\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<figure class=\"wp-block-post-featured-image\"><img decoding=\"async\" width=\"1600\" height=\"900\" src=\"https:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Cicle-Gender-Sounds.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Cicle Gender Sounds\" style=\"object-fit:cover;\" title=\"Cicle Gender Sounds\" \/><\/figure>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>Gender Sounds<\/em> is an initiative coordinated by ESMUC\u2019s Department of Cultural and Musical Studies in order to promote debate in the music field and within contemporary culture with a gender perspective.<\/p>\n\n\n\n<p>The series of lectures will include five online seminars offered by international experts in feminist musicology who will approach rock, jazz, opera, punk and black music exposing and developing&nbsp;innovative viewpoints about the narratives and representations of female artists and figures in dominant discourses&nbsp;modelled on stereotyped notions of gender, sexuality and race.<\/p>\n\n\n\n<p>Guest lecturers Gina Arnold (San Jos\u00e9&nbsp;University), Sherrie Tucker (University of Kansas), Kristie Brown (Coldburn Conservatory), Lucy O\u2019Brien (University West London), and Fredara Hadley (Juilliard School), presented by Angels Bronsoms, will respectively&nbsp;deliver their communications&nbsp;on Monday 7th, 14th, 21st, 28th March and 4th April, at 6pm CET.<\/p>\n\n\n\n<p><em>Gender Sounds<\/em>\u2019&nbsp;closing session will be held on 7th April at 5pm CET in the ESMUC\u2019s Choir Hall and will include a lecture&nbsp;by ESMUC professor Rolf B\u00e4cker and&nbsp;a&nbsp;roundtable moderated&nbsp;by&nbsp;\u00darsula San Crist\u00f3bal with the participation of Enric Aragon\u00e8s, Anna Sard\u00e0&nbsp;and Montserrat Palacios.<\/p>\n\n\n\n<p>All activities are free and open to everyone with pre-registration.&nbsp;<\/p>\n\n\n\n<section id=\"section-891fd378-3b4b-410a-a0ea-b8102f4ebe06\" class=\"wp-block-gutentor-notification gutentor-section gutentor-notification\"><div class=\"grid-container\"><div class=\"gutentor-grid-item-wrap gutentor-notification-wrap gutentor-notification-information\"><div class=\"gutentor-single-item\"><div class=\"gutentor-single-item-content\"><h5 class=\"gutentor-single-item-title\">Series <em>Gender Sounds<\/em><\/h5><p class=\"gutentor-single-item-desc\">Monday 7th, 14th, 21th i 28th March and 4th April, 6pm. Online.<br>Thursday 7th April, 5 pm-6pm  (Closing day). Sala de Cor de l&#8217;ESMUC.<\/p><\/div><\/div><\/div><\/div><\/section>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div id=\"section-ga3dc65\" class=\"wp-block-gutentor-e2 section-ga3dc65 gutentor-element gutentor-element-button button-align-center-desktop\"><span class=\"gutentor-button-wrap\"><a class=\"gutentor-button gutentor-block-button gutentor-icon-hide\" href=\"https:\/\/forms.office.com\/Pages\/ResponsePage.aspx?id=MziA2ZQOU0WslHunsTY0azktgxB5z19GsuMBmGS4yDpUMFhRV0UwOVUzMDI5QkFMSFEwN1FSQVJRTyQlQCN0PWcu\" target=\"_blank\" rel=\"noopener noreferrer\"><i class=\"gutentor-button-icon fas fa-book\"><\/i><span>Registration<\/span><\/a><\/span><\/div>\n\n\n\n<div style=\"height:81px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<section id=\"section-031213f3-5467-44c7-8920-4281c804d191\" class=\"wp-block-gutentor-accordion gutentor-section gutentor-accordion-wrapper accordion-template1\"><div class=\"grid-container\"><div class=\"gutentor-block-header\"><div class=\"gutentor-section-title enable-title-design seperator-bottom text-center\"><h2 class=\"gutentor-title\">Schedule: 7th March 2022 &#8211; 7th&nbsp;April 2022<\/h2><\/div><\/div><div class=\"grid-row gutentor-grid-item-wrap\"><div class=\"grid-md-12\"><div class=\"gutentor-accordion-wrap\"><div class=\"gutentor-single-item gutentor-single-item-0\"><div class=\"gutentor-single-item-wrap\"><div class=\"gutentor-accordion-heading\"><i class=\"gutentor-accordion-icon open-icon fas fa-plus\"><\/i><i class=\"gutentor-accordion-icon close-icon fas fa-minus\"><\/i><h3 class=\"gutentor-single-item-title\"><strong><strong>Seminars online, Zoom, 6pm (CET). Presented by Angels Bronsoms<\/strong><\/strong><\/h3><\/div><div class=\"gutentor-accordion-body\"><p class=\"gutentor-single-item-desc\"><strong>7th March\u00a0<\/strong> &#8211; Gina Arnold (San Jose State University): <em>Exile On Man Street:\u00a0 The hard road for women in the world of rock &#8216;n&#8217; roll<\/em>.<br><br><strong>14th March<\/strong>&#8211; Sherrie Tucker (University of Kansas): <em>Listening to the Changes: Historical Perspectives on Jazz, Race, and Gender Justice<\/em>.<br><br><strong>21th March<\/strong> &#8211; Kristie Brown-Montesano (Colburn Conservatory of Music): <em>Rescuing Carmen from <\/em>Carmen.<br><br><strong>28th March<\/strong> &#8211; Lucy O\u2019Brien (University of West London): <em>IDENTITY: the ley lines of punk feminism<\/em>.<br><br><strong>4th\u00a0April<\/strong> &#8211; Fredara Hadley (The Juilliard School): <em>Aretha Franklin and the Efficacy of Black Feminine Genius<\/em>.<\/p><\/div><\/div><\/div><\/div><div class=\"gutentor-accordion-wrap\"><div class=\"gutentor-single-item gutentor-single-item-1\"><div class=\"gutentor-single-item-wrap\"><div class=\"gutentor-accordion-heading\"><i class=\"gutentor-accordion-icon open-icon fas fa-plus\"><\/i><i class=\"gutentor-accordion-icon close-icon fas fa-minus\"><\/i><h3 class=\"gutentor-single-item-title\"><strong><strong>Closing day: lecture and round table, in the ESMUC\u2019s Choir Hall and Youtube live streaming<\/strong><\/strong><\/h3><\/div><div class=\"gutentor-accordion-body\"><p class=\"gutentor-single-item-desc\"><strong>7th April, 5pm (CET)<\/strong> &#8211; Rolf B\u00e4cker (Esmuc): <em>Mares de D\u00e9u i esclaves. Les dones i la m\u00fasica a l&#8217;Edat Mitjana<\/em>. Lecture with musical illustrations by Alba Asensi, Marina Torra and M\u00edriam Trias.<br><br><strong>7th April, 6pm (CET)<\/strong> \u2013 Round table presented by \u00darsula San Crist\u00f3bal.<br>Enric Aragon\u00e9s, specialist in music education and professor at the Esmuc.<br>Anna Sard\u00e0, musicologist and musician of Roba Estesa. \u00a0<br>Montserrat Palacios, singer, sound artist and ethnomusicologist.<br>Lina Tur, violinist and professor at the Esmuc.<br><br><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n\n\n\n<div style=\"height:62px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<section id=\"section-26dc3bf1-01dc-47f7-8948-f6d27a94f03e\" class=\"wp-block-gutentor-gallery gutentor-section gutentor-gallery gutentor-gallery-wrapper enable-masonry gallery-template1\"><div class=\"grid-container\"><div class=\"gutentor-block-header\"><div class=\"gutentor-section-title enable-title-design seperator-bottom text-center\"><h2 class=\"gutentor-title\">Participants<\/h2><\/div><\/div><div class=\"grid-row gutentor-grid-item-wrap full-width-row\"><div class=\"gutentor-gallery-item grid-lg-6 grid-md-4 grid-12\"><div class=\"gutentor-single-item gutentor-image gutentor-single-item-0\"><div class=\"gutentor-gallery-item-wrap\"><div class=\"gutentor-single-item-image-box\"><div class=\"gutentor-image-thumb\"><img decoding=\"async\" class=\"normal-image\" src=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Angels-Bronsoms.jpg\" alt=\"Angels Bronsoms\" height=\"435\" width=\"580\" \/><\/div><\/div><div class=\"gutentor-single-item-content\"><div class=\"gutentor-gallery-item-header\"><h3 class=\"gutentor-single-item-title\">Dra. Angels Bronsoms<\/h3><a href=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Angels-Bronsoms.jpg\" class=\"image-gallery\"><i class=\"gallery-icon fas fa-search\"><\/i><\/a><\/div><div class=\"gutentor-gallery-item-desc\"><p class=\"gutentor-single-item-desc\">\u00c9s doctora en Comunicaci\u00f3 (UAB), M\u00e0ster en G\u00e8nere i Comunicaci\u00f3 (UAB), M\u00e0ster en Fashion Retail and Luxury Management (Global Business School Barcelona) i Llicenciada en Periodisme (UAB). La seva recerca est\u00e0 centrada en la representaci\u00f3 de la dona en la ind\u00fastria musical i \u00e9s autora del llibre\u00a0<em>Animals de Rock &amp; Roll<\/em>.<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"gutentor-gallery-item grid-lg-6 grid-md-4 grid-12\"><div class=\"gutentor-single-item gutentor-image gutentor-single-item-1\"><div class=\"gutentor-gallery-item-wrap\"><div class=\"gutentor-single-item-image-box\"><div class=\"gutentor-image-thumb\"><img decoding=\"async\" class=\"normal-image\" src=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Gina-Arnold.jpg\" alt=\"Gina Arnold\" height=\"398\" width=\"530\" \/><\/div><\/div><div class=\"gutentor-single-item-content\"><div class=\"gutentor-gallery-item-header\"><h3 class=\"gutentor-single-item-title\">Dra. Gina Arnold<\/h3><a href=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Gina-Arnold.jpg\" class=\"image-gallery\"><i class=\"gallery-icon fas fa-search\"><\/i><\/a><\/div><div class=\"gutentor-gallery-item-desc\"><p class=\"gutentor-single-item-desc\">\u00c9s doctora per la Stanford University i ha escrit nombrosos llibres sobre m\u00fasica, com ara <em>Route 666: On the Road to Nirvana<\/em> i <em>Half a Million Strong: Rock Crowds and Power at Music Festivals from Woodstock to Coachella<\/em>&#8220;. \u00c9s coeditora del volum <em>Oxford Handbook of Punk<\/em> que es publicar\u00e0 pr\u00f2ximament.<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"gutentor-gallery-item grid-lg-6 grid-md-4 grid-12\"><div class=\"gutentor-single-item gutentor-image gutentor-single-item-2\"><div class=\"gutentor-gallery-item-wrap\"><div class=\"gutentor-single-item-image-box\"><div class=\"gutentor-image-thumb\"><img decoding=\"async\" class=\"normal-image\" src=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Lucy-OBrien-1.jpg\" alt=\"Lucy O\u2019brien\" height=\"584\" width=\"779\" \/><\/div><\/div><div class=\"gutentor-single-item-content\"><div class=\"gutentor-gallery-item-header\"><h3 class=\"gutentor-single-item-title\">Dra. Lucy O\u2019Brien<\/h3><a href=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Lucy-OBrien-1.jpg\" class=\"image-gallery\"><i class=\"gallery-icon fas fa-search\"><\/i><\/a><\/div><div class=\"gutentor-gallery-item-desc\"><p class=\"gutentor-single-item-desc\">\u00c9s escriptora acad\u00e8mica i locutora. El 2020 va ser coautora del best-seller d&#8217;Amazon <em>It Takes Blood and Guts with Skin, the lead singer of Skunk Anansie<\/em>, i va publicar una edici\u00f3 especial del 25\u00e8 aniversari del seu llibre <em>She Bop: The Definitive History of Women in Popular Music<\/em>. \u00c9s autora de <em>Dusty: The Classic Biography<\/em> i <em>Madonna: Like an Icon<\/em> (que va ser tradu\u00eft a 13 idiomes). Actualment est\u00e0 treballant en una biografia de Karen Carpenter, que es publicar\u00e0 el 2023. \u00c9s professora de gesti\u00f3 de la ind\u00fastria musical i desenvolupament d&#8217;artistes a la Universitat de West London. Tamb\u00e9 escriu per a nombrosos peri\u00f2dics com <em>MOJO<\/em>, <em>The Sunday Times<\/em> i <em>The Guardian<\/em>.<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"gutentor-gallery-item grid-lg-6 grid-md-4 grid-12\"><div class=\"gutentor-single-item gutentor-image gutentor-single-item-3\"><div class=\"gutentor-gallery-item-wrap\"><div class=\"gutentor-single-item-image-box\"><div class=\"gutentor-image-thumb\"><img decoding=\"async\" class=\"normal-image\" src=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Fredara-Madeva.jpg\" alt=\"Fredara Madeva\" height=\"393\" width=\"524\" \/><\/div><\/div><div class=\"gutentor-single-item-content\"><div class=\"gutentor-gallery-item-header\"><h3 class=\"gutentor-single-item-title\">Dra. Fredara Hadley<\/h3><a href=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Fredara-Madeva.jpg\" class=\"image-gallery\"><i class=\"gallery-icon fas fa-search\"><\/i><\/a><\/div><div class=\"gutentor-gallery-item-desc\"><p class=\"gutentor-single-item-desc\">\u00c9s doctora i professora d&#8217;etnomusicologia al Departament d&#8217;Hist\u00f2ria de la M\u00fasica de The Juilliard School, on imparteix cursos d&#8217;etnomusicologia i m\u00fasica afroamericana. La Dra. Hadley ha presentat la seva recerca a universitats i congressos, tant nacionals com internacionals, i ha publicat en nombroses revistes acad\u00e8miques. Ha participat en diversos documentals, com ara la recentment estrenada s\u00e8rie documental de PBS, <em>The Black Church<\/em>, presentada pel professor Henry Louis Gates. El proper llibre de la Dr. Hadley se centra en l&#8217;impacte musical dels col\u00b7legis i universitats hist\u00f2ricament afroamericans.<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"gutentor-gallery-item grid-lg-6 grid-md-4 grid-12\"><div class=\"gutentor-single-item gutentor-image gutentor-single-item-4\"><div class=\"gutentor-gallery-item-wrap\"><div class=\"gutentor-single-item-image-box\"><div class=\"gutentor-image-thumb\"><img decoding=\"async\" class=\"normal-image\" src=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Sherrie-Tucker.jpg\" alt=\"Sherrie Tucker\" height=\"498\" width=\"664\" \/><\/div><\/div><div class=\"gutentor-single-item-content\"><div class=\"gutentor-gallery-item-header\"><h3 class=\"gutentor-single-item-title\">Dra. Sherrie Tucker<\/h3><a href=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Sherrie-Tucker.jpg\" class=\"image-gallery\"><i class=\"gallery-icon fas fa-search\"><\/i><\/a><\/div><div class=\"gutentor-gallery-item-desc\"><p class=\"gutentor-single-item-desc\">\u00c9s professora d\u2019Estudis Americans a la University of Kansas. \u00c9s l\u2019autora de <em>Dance Floor Democracy: the Social Geography of Memory at the Hollywood Canteen<\/em> (Duke, 2014), <em>Swing Shift: &#8220;All-Girl&#8221; Bands of the 1940s<\/em> (Duke, 2014), 2000) i coeditora, amb Nichole T. Rustin, de <em>Big Ears: Listening for Gender in Jazz Studies<\/em> (Duke, 2008).<br>Actualment, forma part del col\u00b7lectiu editorial d&#8217;un llibre col\u00b7laboratiu titulat <em>Improvising across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument<\/em>. Coedita, amb Randal M. Jelks, <em>American Studies<\/em>, i \u00e9s editora de s\u00e8ries, amb Deborah Wong i Jeremy Wallach, de Music\/Culture a Wesleyan University Press.<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"gutentor-gallery-item grid-lg-6 grid-md-4 grid-12\"><div class=\"gutentor-single-item gutentor-image gutentor-single-item-5\"><div class=\"gutentor-gallery-item-wrap\"><div class=\"gutentor-single-item-image-box\"><div class=\"gutentor-image-thumb\"><img decoding=\"async\" class=\"normal-image\" src=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Kristi-Brown-Montesano.jpg\" alt=\"Kristi Brown Montesano\" height=\"702\" width=\"937\" \/><\/div><\/div><div class=\"gutentor-single-item-content\"><div class=\"gutentor-gallery-item-header\"><h3 class=\"gutentor-single-item-title\">Dra. Kristi Brown-Montesano<\/h3><a href=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Kristi-Brown-Montesano.jpg\" class=\"image-gallery\"><i class=\"gallery-icon fas fa-search\"><\/i><\/a><\/div><div class=\"gutentor-gallery-item-desc\"><p class=\"gutentor-single-item-desc\">\u00c9s catedr\u00e0tica d&#8217;Hist\u00f2ria de la M\u00fasica al Conservatori de M\u00fasica de Colburn. Les seves \u00e0rees de recerca inclouen la m\u00fasica al cinema i la televisi\u00f3, la recepci\u00f3 de postguerra de J.S. Bach en la cultura popular americana, i pol\u00edtica de g\u00e8nere en m\u00fasica cl\u00e0ssica i \u00f2pera. El seu llibre <em>Understanding the Women of Mozart&#8217;s Operas<\/em> (UC Press, 2007; edici\u00f3 de butxaca, 2021) ofereix un estudi detallat dels personatges femenins de <em>Les noces de F\u00edgaro<\/em>, <em>Don Giovanni<\/em>, <em>Cos\u00ec fan tutte<\/em> i <em>La flauta m\u00e0gica<\/em>. Apassionada en la divulgaci\u00f3, Brown-Montesano imparteix confer\u00e8ncies per a organitzacions del sud de Calif\u00f2rnia, com ara l&#8217;\u00d2pera de Los Angeles, la Filharm\u00f2nica de Los Angeles i la Societat de M\u00fasica de La Jolla.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n\n\n\n<section id=\"section-6526b049-7297-4ca8-b48f-b44131c67bd2\" class=\"wp-block-gutentor-gallery gutentor-section gutentor-gallery gutentor-gallery-wrapper enable-masonry gallery-template1\"><div class=\"grid-container\"><div class=\"gutentor-block-header\"><div class=\"gutentor-section-title enable-title-design seperator-bottom text-center\"><h2 class=\"gutentor-title\"><\/h2><\/div><\/div><div class=\"grid-row gutentor-grid-item-wrap full-width-row\"><div class=\"gutentor-gallery-item grid-lg-4 grid-md-4 grid-12\"><div class=\"gutentor-single-item gutentor-image gutentor-single-item-0\"><div class=\"gutentor-gallery-item-wrap\"><div class=\"gutentor-single-item-image-box\"><div class=\"gutentor-image-thumb\"><img decoding=\"async\" class=\"normal-image\" src=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/U\u0301rsula-San-Cristo\u0301bal.jpeg\" alt=\"U\u0301rsula San Cristo\u0301bal\" height=\"1499\" width=\"1999\" \/><\/div><\/div><div class=\"gutentor-single-item-content\"><div class=\"gutentor-gallery-item-header\"><h3 class=\"gutentor-single-item-title\"><strong>\u00darsula San Crist\u00f3bal<\/strong><\/h3><a href=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/U\u0301rsula-San-Cristo\u0301bal.jpeg\" class=\"image-gallery\"><i class=\"gallery-icon fas fa-search\"><\/i><\/a><\/div><div class=\"gutentor-gallery-item-desc\"><p class=\"gutentor-single-item-desc\">She is an interdisciplinary artist, researcher and teacher. After completing her\u00a0studies in Early Music (BA in Early Music, Scuola Civica di Milano; MA in Musicology,\u00a0Universit\u00e0 degli Studi di Milano; MA in Musicology, University of\u00a0Valladolid) she specialized in contemporary audiovisual culture. She holds a PhD in Art\u00a0History and Musicology from the Autonomous University of Barcelona; her present research\u00a0interests include artistic research and the use of sound in film, video art and performance.\u00a0She teaches at Taller de M\u00fasics College and has been a professor of History of\u00a0Audiovisual Music at Escola Superior de M\u00fasica de Catalunya.<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"gutentor-gallery-item grid-lg-4 grid-md-4 grid-12\"><div class=\"gutentor-single-item gutentor-image gutentor-single-item-1\"><div class=\"gutentor-gallery-item-wrap\"><div class=\"gutentor-single-item-image-box\"><div class=\"gutentor-image-thumb\"><img decoding=\"async\" class=\"normal-image\" src=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Anna-Sarda\u0300.jpeg\" alt=\"Anna Sarda\u0300\" height=\"2125\" width=\"2834\" \/><\/div><\/div><div class=\"gutentor-single-item-content\"><div class=\"gutentor-gallery-item-header\"><h3 class=\"gutentor-single-item-title\"><strong>Anna Sard\u00e0<\/strong><\/h3><a href=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Anna-Sarda\u0300.jpeg\" class=\"image-gallery\"><i class=\"gallery-icon fas fa-search\"><\/i><\/a><\/div><div class=\"gutentor-gallery-item-desc\"><p class=\"gutentor-single-item-desc\">BA in musicology from Escola Superior de M\u00fasica de Catalunya and anthropologist, with gender studies as her academic and vital thread. She is currently completing her Master\u2019s Degree in Women, Gender and Citizenship Studies at the University of Barcelona while devoting herself precariously to the cultural sector and investing the remaining time in feminist and LGBTQ + activism. She is bassist of Roba Estesa music project since its inception and combines her artistic activity with management and dynamization services at Casa Orlandai Civic Center in Sarri\u00e0.\u00a0<br><br><br><\/p><\/div><\/div><\/div><\/div><\/div><div class=\"gutentor-gallery-item grid-lg-4 grid-md-4 grid-12\"><div class=\"gutentor-single-item gutentor-image gutentor-single-item-2\"><div class=\"gutentor-gallery-item-wrap\"><div class=\"gutentor-single-item-image-box\"><div class=\"gutentor-image-thumb\"><img decoding=\"async\" class=\"normal-image\" src=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Enric-Aragone\u0300s.jpg\" alt=\"Enric Aragone\u0300s\" height=\"658\" width=\"877\" \/><\/div><\/div><div class=\"gutentor-single-item-content\"><div class=\"gutentor-gallery-item-header\"><h3 class=\"gutentor-single-item-title\"><strong>Enric Aragon\u00e8s Jov\u00e9<\/strong><\/h3><a href=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Enric-Aragone\u0300s.jpg\" class=\"image-gallery\"><i class=\"gallery-icon fas fa-search\"><\/i><\/a><\/div><div class=\"gutentor-gallery-item-desc\"><p class=\"gutentor-single-item-desc\">BA in Music education (ESMUC), Master in Public Management (UAB-UB-UPF) and trained in Orff-Schulwerk (San Francisco Orff Course). He is currently a professor of the Department of Education and Artistic Mediation at ESMUC and coordinator of music education at EMMCA in Hospitalet. He has also taught at Taller de M\u00fasics ESEM and has collaborated in the fields of cultural and educational policies with Alian\u00e7a Educaci\u00f3 360, Barcelona Provincial Council, Barcelona City Council, Esparreguera City Council and the Catalan Institute of Cultural Enterprises, the National Council of Arts and Culture, among others.<br><br><\/p><\/div><\/div><\/div><\/div><\/div><div class=\"gutentor-gallery-item grid-lg-4 grid-md-4 grid-12\"><div class=\"gutentor-single-item gutentor-image gutentor-single-item-3\"><div class=\"gutentor-gallery-item-wrap\"><div class=\"gutentor-single-item-image-box\"><div class=\"gutentor-image-thumb\"><img decoding=\"async\" class=\"normal-image\" src=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Lina-Tur.jpeg\" alt=\"Lina Tur\" height=\"1043\" width=\"1391\" \/><\/div><\/div><div class=\"gutentor-single-item-content\"><div class=\"gutentor-gallery-item-header\"><h3 class=\"gutentor-single-item-title\"><strong>Lina Tur<\/strong><\/h3><a href=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Lina-Tur.jpeg\" class=\"image-gallery\"><i class=\"gallery-icon fas fa-search\"><\/i><\/a><\/div><div class=\"gutentor-gallery-item-desc\"><p class=\"gutentor-single-item-desc\">Considered by international press for her virtuosity, combined with her profound musicality and rigorous stylistic knowledge, Lina Tur Bonet has developed a career as a violinist and conductor that is as versatile as it is personal. She completed her studies at Universities of Freiburg and Vienna. She was awarded, among others, at the international Bonporti competition.\u00a0 Tur Bonet is a guest concertmaster at Il Complesso Barocco, Orquesta del Liceo de Barcelona, \u200b\u200bConcerto K\u00f6ln, Clemencic Consort, OBach Consort de Viena, Hofkapelle Munich, Orquesta del Palau de les Arts de Valencia, Orchester d&#8217;Auvergne and Orquesta Nacional de Espa\u00f1a, and she has conducted the Orquesta Barroca de Sevilla, the Montreal Festival Orchestra, Vigo 430 Orchestra, the Jerusalem Baroque Orchestra and the Camerata Villa Musica, Mainz. Her 14 CDs as soloist and conductor have received international awards such as &#8220;Best Version of the work&#8221; for BBC Radio3, &#8220;Referential Version&#8221; for Gramophone, France Musique and Scherzo, &#8220;Recommended Version&#8221; by Bayerische Rundfunk, SWR or Kulturradio Berlin, and several times 5* DIAPASON. She is currently a violin teacher in the Department of Classical and Contemporary at the ESMUC.<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"gutentor-gallery-item grid-lg-4 grid-md-4 grid-12\"><div class=\"gutentor-single-item gutentor-image gutentor-single-item-4\"><div class=\"gutentor-gallery-item-wrap\"><div class=\"gutentor-single-item-image-box\"><div class=\"gutentor-image-thumb\"><img decoding=\"async\" class=\"normal-image\" src=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Rolf-Baecker.jpg\" alt=\"Rolf Baecker\" height=\"1328\" width=\"1770\" \/><\/div><\/div><div class=\"gutentor-single-item-content\"><div class=\"gutentor-gallery-item-header\"><h3 class=\"gutentor-single-item-title\"><strong>Rolf Baecker<\/strong><\/h3><a href=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Rolf-Baecker.jpg\" class=\"image-gallery\"><i class=\"gallery-icon fas fa-search\"><\/i><\/a><\/div><div class=\"gutentor-gallery-item-desc\"><p class=\"gutentor-single-item-desc\">He studied Musicology, Romance Studies and Iberian and Latin American History and the University of Cologne, Germany, where he obtained a PhD in Musicology with a thesis about &#8220;The Guitar as a Symbol: Meaning and Change within Spain&#8217;s cultural memory from the Middle Ages to the end of the <em>Siglo de Oro<\/em>&#8220;. He received fellowships from the <em>Instituto Cam\u00f5es<\/em>, the UOC (Open University of Catalonia) and the DAAD (German Academic Interchange Service). He currently works as full professor at the Departments of Classical and Contemporary Music and of Cultural and Musical Studies of the ESMUC (German Phonetics, Esthetics, Flamenco History, History of Musicology, Research Methodology, among others) and is a member of several musicological societies. His main scientific interests, which constantly cross the boundaries between historical musicology and ethnomusicology, include semiotics and the interchange between music and literature.<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"gutentor-gallery-item grid-lg-4 grid-md-4 grid-12\"><div class=\"gutentor-single-item gutentor-image gutentor-single-item-5\"><div class=\"gutentor-gallery-item-wrap\"><div class=\"gutentor-single-item-image-box\"><div class=\"gutentor-image-thumb\"><img decoding=\"async\" class=\"normal-image\" src=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Montserrat-Palacios.jpeg\" alt=\"Montserrat Palacios\" height=\"2378\" width=\"3171\" \/><\/div><\/div><div class=\"gutentor-single-item-content\"><div class=\"gutentor-gallery-item-header\"><h3 class=\"gutentor-single-item-title\"><strong>Montserrat Palacios<\/strong><\/h3><a href=\"http:\/\/www.esmuc.cat\/wp-content\/uploads\/2022\/02\/Montserrat-Palacios.jpeg\" class=\"image-gallery\"><i class=\"gallery-icon fas fa-search\"><\/i><\/a><\/div><div class=\"gutentor-gallery-item-desc\"><p class=\"gutentor-single-item-desc\">Researcher and vocal performer. She studied classical singing at Escuela Superior de M\u00fasica (INBA-Mexico) and ethnomusicology at the Faculty of Music (UNAM-Mexico), where she graduated with a dissertation on traditional polyphonic singing (canto <em>cardenche<\/em>). She holds the Diploma of Advanced Studies (DEA) from University of Valladolid, with a dissertation on vocal emission, temporality and silence in Cardenche song. As a singer, Montserrat has performed at prestigious festivals in Berlin, Austria, Italy, Prague, Mexico, Spain, etc. The prestigious Contemporary Music Review reviewed her work in 2019. She is co-author with Lloren\u00e7 Barber of <em>La Mosca tras la oreja<\/em>. <em>De la m\u00fasica experimental al Arte Sonoro en Espa\u00f1a<\/em> (SGAE), and author of <em>Cuando suena una campana, suena un mundo<\/em> (EuDeba, Buenos Aires, 2010) and <em>Campanas Quisqueyanas<\/em> (AECID, Sto Domingo, 2012). She is mother of two children.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Cinc seminaris en l\u00ednia i una jornada de cloenda per reflexionar sobre la perspectiva de g\u00e8nere en diversos \u00e0mbits de la m\u00fasica. <\/p>\n","protected":false},"author":5,"featured_media":26640,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[998,999,1000],"tags":[1003,1004,1005,1164,1006],"class_list":["post-26704","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-activitats-extracurriculars-en","category-departament-destudis-culturals-i-musicals-en","category-jornades-i-tallers-en","tag-gender-sounds-en","tag-genere-en-la-musica-en","tag-jornades-en","tag-musicologia-en","tag-seminaris-en"],"acf":[],"gutentor_comment":0,"publishpress_future_action":{"enabled":false,"date":"2026-04-22 01:07:51","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/posts\/26704","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/comments?post=26704"}],"version-history":[{"count":28,"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/posts\/26704\/revisions"}],"predecessor-version":[{"id":76187,"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/posts\/26704\/revisions\/76187"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/media\/26640"}],"wp:attachment":[{"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/media?parent=26704"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/categories?post=26704"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esmuc.cat\/en\/wp-json\/wp\/v2\/tags?post=26704"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}