Sonology Curriculum
Subjects marked with an asterisk (*) are NOT offered each year. Check current schedules.
Subjects and Subjects | 1st year | 2nd year | 3rd year | 4th year | Total |
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ECTS | h | ECTS | h | ECTS | h | ECTS | h | ECTS | h | |
Culture, thought and history (FB) |
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Music and culture I, II andIII | 6 | 90 | 3 | 45 | | | | | 9 | 135 |
Professional development | | | | | | | 3 | 45 | 3 | 45 |
Aesthetics | | | | | 4 | 60 | | | 4 | 60 |
Languages and music technique (FB) |
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Fundamentals of acoustics | 3 | 45 | | | | | | | 3 | 45 |
Music analysis methodologies | 4 | 45 | | | | | | | 4 | 45 |
General auditory perception | 3 | 45 | | | | | | | 3 | 45 |
Fundamentals of composition | 4 | 45 | | | | | | | 4 | 45 |
Complementary instrumental training (OB) |
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Secondary tool 1 a 6 | 4 | 15 | 4 | 15 | 4 | 15 | | | 12 | 45 |
Interpretation by electronic means I and II | | | | | | | 6 | 60 | 6 | 60 |
Ensemble music (OB) |
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Cor | 2 | 45 | | | | | | | 2 | 45 |
Instrumental ensemble 1 a 4 | 4 | 45 | 2 | 22,5 | 2 | 22,5 | | | 8 | 90 |
Acoustics (OB) |
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Organology | 3 | 30 | | | | | | | 3 | 30 |
Acoustics and organology I and II* | | | 3 | 30 | 3 | 30 | | | 6 | 60 |
Enclosure acoustics * | | | | | 4 | 30 | | | 4 | 30 |
Psychoacoustics | 3 | 30 | | | | | | | 3 | 30 |
Specific technical training (OB) |
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Physics and mathematics for music I and II | 6 | 60 | | | | | | | 6 | 60 |
Sound laboratoriesI i III and II i IV | | | 6 | 30 | 6 | 30 | | | 12 | 60 |
Seminars I, II, III and IV | | | | | 4 | 22,5 | 4 | 22,5 | 8 | 45 |
Programming techniques | 3 | 30 | 3 | 30 | 3 | 30 | | | 9 | 90 |
Applied technologies (OB) |
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Recording and post-production techniques | 2 | 30 | 6 | 60 | 4 | 30 | | | 12 | 120 |
Electronics I and II | 3 | 30 | 3 | 30 | | | | | 6 | 60 |
Electrical engineering | | | 6 | 60 | | | | | 6 | 60 |
Sound analysis, synthesis and processing I, II and III* | | | 6 | 60 | 4 | 30 | | | 10 | 90 |
Sound design* | | | | | 4 | 30 | | | 4 | 30 |
Live sound* | | | 3 | 30 | | | | | 3 | 30 |
Technologies for music research | | | | | | | 3 | 30 | 3 | 30 |
Music technology (OB) |
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Introduction to music technology | 2 | 30 | | | | | | | 2 | 30 |
Editing scores with computer media | 2 | 30 | | | | | | | 2 | 30 |
Music computing I and II | 6 | 60 | | | | | | | 6 | 60 |
Critical perception (OB) |
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Specific auditory perception | | | 2 | 45 | | | | | 2 | 45 |
Critical listening I and II* | | | | | 2 | 20 | 2 | 20 | 4 | 40 |
Theory and history (OB) |
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Electroacoustic composition I | | | 3 | 45 | | | | | 3 | 45 |
History of the music of the 20th and 21st centuries | | | 4 | 45 | | | | | 4 | 45 |
Composition for audiovisual media I | | | | | 3 | 45 | | | 3 | 45 |
Repertoire and techniques of electroacoustic music* | | | | | 4 | 45 | | | 4 | 45 |
Computer aided composition I | | | | | | | 3 | 45 | 3 | 45 |
Production and management (OB) |
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Communication techniques* | | | | | | | 4 | 45 | 4 | 45 |
Technology applied to production and dissemination I* | | | 3 | 30 | | | | | 3 | 30 |
Production of concerts and musical events | | | 3 | 30 | | | | | 3 | 30 |
Entrepreneurship and business creation | | | | | | | 3 | 30 | 3 | 30 |
Practices (OB) |
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Internal practices I and II | | | | | 4 | 10 | 6 | 10 | 10 | 20 |
Sonology practicum | | | | | | | 6 | 10 | 6 | 10 |
Optional subjects (OP) |
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Optional credits | | | | | 3 | 45 | 12 | 180 | 15 | 225 |
Final work (TFG) |
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Research methodologies | | | | | 2 | 30 | | | 2 | 30 |
Final degree project | | | | | | | 8 | 15 | 8 | 15 |
TOTAL | 60 | 705 | 60 | 607,5 | 60 | 525 | 60 | 512,5 | 240 | 2350 |